related works

Liederen : (Canzonas), for metal wind instruments, 2 pianos and double-bass, 1976, (revision 1978) / Diderik Wagenaar

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Scoring: 0000 4sax 4331 2pf cb

Keep going : for 20 wind instruments, violin, cello and double-bass, (1972) / Hans Kornac

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Scoring: 2243 sax 4220 vl vc cb

Adamsarchipel : for ensemble, 1997 / Sander Germanus

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Scoring: fl-a ob cl perc g man hp pf vl vla vc cb

Lacune : voor blazers, piano en contrabas, 1984 / Cees van Zeeland

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Scoring: 1020 sax-a(fl) 1330 pf cb

 

composition

Lent, vague, indécis : for instrumental ensemble, 1992-93 / Diderik Wagenaar

Publisher: Amsterdam: Donemus, [1995]
Publisher's number: 08412
Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Scoring: 1121 1000 cel harm hp 2vl vla vc cb
Remarks: Voor fluit, althobo, klarinet, basklarinet, fagot, hoorn, celesta, harmonium, harp, 2 violen, altviool, cello en contrabas. - In opdracht van het Fonds voor de Scheppende Toonkunst. - Geschreven voor het Schönberg Ensemble. - Opgedragen aan Reinbert de Leeuw. - Cop. 1993. - Tijdsduur: ca. 8'
Duration: 8'00"
Number of players: 14
Year of composition: 1993
Status: fully digitized (real-time delivery)

Other authors:
Wagenaar, Diderik (Composer)
Description:
Program note (English): 'Lent, vague, indécis' is a visual inspired composition. The piece is a variation on the fourth prelude from the cycle opus 74 by Alexander Skrjabin. It derives it title from the performance notes by Skrjabin. The prelude has very pronounced rhythms and is one of Skrjabin's latest pieces in which the so-called 'Prometheus-chord' is missing*.
In 'Lent, vague, indécis' Skrjabin's harmonization is being harmonized. The changes in harmony are provided with simple or more complex resonance-chords. The original successive chords are delayed by one group of instruments and accelerated by another group. Some are repeated, others are left out. Therefore, we can describe the piece as a distorted memory to the prelude by Skrjabin.

- DIDERIK WAGENAAR * 'The Prometheus-chord' is named after Skrjabin's so called composition for piano and orchestra: Prométhée, le "Poème du Feu" op. 600 (1910).

Sheet Music
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Score Download to Newzik (A3), 36 pages EUR 25.66
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