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24 capriccio's voor viool solo

Genre: Chamber music
Subgenre: Violin
Scoring: vl

Zes symfonische epigrammen : = (Six symphonic epigrams), for orchestra, 1928 / Willem Pijper

Genre: Orchestra
Subgenre: Orchestra
Scoring: 3fl fl(pic) 3ob eh 3cl cl-b 3fg cfg 4h 4trp 4trb tb timp 3perc cel str

In C : for symphony orchestra / Jan Willem van Dormolen

Genre: Orchestra
Subgenre: Orchestra
Scoring: 2fl(picc) 2ob(eh) 2cl(cl-b) 2fg 4h 3tpt 2trb trb-b hp str

Scale : le Tombeau de Mahler : for orchestra / Willem Jeths

Genre: Orchestra
Subgenre: Orchestra
Scoring: fl fl(pic fl-a) ob ob(eh) 2cl 2fg(cfg) 2h 2trp 2trb tb timp perc str ; Fern Orchester: 2h 2trp 2trb drums

 

composition

See-through : for orchestra, 2000, revision 2001 / Michel van der Aa

Publisher: Amsterdam: Donemus, 2003
Publisher's number: 09823
Genre: Orchestra
Subgenre: Orchestra
Scoring: pic fl 2ob 2cl cl-b fg 4h 4trp 3trb tb 4perc hp str
Remarks: In opdracht van het Fonds voor de Scheppende Toonkunst. - Geschreven voor het Nederlands Studenten Orkest. - Cop. MuziekGroep Nederland, 2001. - Tijdsduur: ca. 12'
Duration: 12'00"
Status: fully digitized (real-time delivery)

Other authors:
Aa, Michel van der (Composer)
Description:
Program note (English): 'See-through' is a work with two faces. A direct, theatrical front built around an intellectual, conceptual skeleton. The harmonic material used is sparse, the piece features just 9 chords. Layers in the music change perspective. Hard cutting sounds in the percussion parts act as joints, dynamics suddenly change and the perspective shifts. Passages in the background abruptly jump to the front. The layer in the back is left to just stir up the front layerÂ’s surface. There are interruptions in the music, moments of ridged musical standstill. This happens not only in the full orchestra but also in smaller instrumental layers. Groups of musicians lose themselves in isolated autistic sequences and snap out of it to melt again into the rest of the orchestra. 'See-through' is a work about the failing of continuity. - MICHEL VAN DER AA

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