composer

Kunst, Jos

Jos Kunst was first and foremost a thinker; all of his work, whether music, poetry, essays, or research, revolved around the connection between the maker, the object and the observer.

related works

Elements of logic : IV - 72 / Jos Kunst & Jan Vriend

Genre: Orchestra
Subgenre: Wind ensemble (9 or more players)
Instruments: 5076 9sax 6002

Corona Concerto : for piano and orchestra / Jan Vriend

Genre: Orchestra
Subgenre: Piano and orchestra
Instruments: 3fl/picc 2ob eh 2cl cl-b cl-cb afg cfg 4h 3tpt 2trb trb-b tb 8perc str

Vijf concertante epigram-schetsen : (voor 13 blaasinstrumenten, pauken, slagwerk en piano), op. 159, (1959) / Gerard Boedijn

Genre: Orchestra
Subgenre: Wind ensemble (9 or more players)
Instruments: 2232 2200 timp perc pf

Pictures at an exhibition / Modest Mussorgsky, orchestration for large wind ensemble by Geert van Keulen, orch. 1992

Genre: Orchestra
Subgenre: Wind ensemble (9 or more players)
Instruments: 2fl(pic) fl-a(fl) 2ob eh(ob) heck(ob) 2cl cl(bh) cl-b cl-cb 2fg cfg 4h 3trp trp-b 2trb trb-b tb

Intrada : for wind ensemble, 1985 / Matty Niël

Genre: Orchestra
Subgenre: Wind ensemble (9 or more players)
Instruments: 2000 4221 perc

 

composition

Elements of logic : IV - 72 / Jos Kunst & Jan Vriend

Publisher: Amsterdam: Donemus, cop. 1972
Publisher's number: 07627
Genre: Orchestra
Subgenre: Wind ensemble (9 or more players)
Instruments: 5076 9sax 6002
Remarks: Voor 3 fluiten (1e tevens piccolo), 2 altfluiten (2e tevens basfluit), es-klarinet, 2 klarinetten, 3 basklarinetten, contrabasklarinet, 4 fagotten, 2 contrafagotten, 6 hoorns, 2 tuba's, sopranino saxofoon, sopraansaxofoon, altsaxofoon, 3 tenorsaxofoons, 2 baritonsaxofoons en bassaxofoon. - Met voorw. - In opdracht van het ministerie van C.R.M.
Duration: 11'00"
Number of players: 35
Year of composition: 1972
Status: fully digitized (real-time delivery)

Other authors:
Vriend, Jan (composer)
Description:
Program note (English): In Elements of Logic comes another hobbyhorse into play: the phenomenon of ambiguity. Ambiguity plays a crucial role in every succesful work of art that exploits 'surprise' and double meanings. It requires a certain craftiness, that is, a dexterity of multidimensional thinking and insight, so that the slight-of-hand works in practice as well as in theory. An example: end = beginning is a commonly-used trick in classical music, where the last note/harmony of a phrase is the first note/harmony of the next, new phrase. But high = low, much = little, loud = soft, fast = slow, dynamic = startic, etc., are also effective musical double meanings. And let's nog forget the enharmonic link between keys, a textbook application of ambiguity. Elements of Logic has yet another facet to its history, one that comes from activities and experiments within ASKO itself. Briefly, it is the need, or the challenge, to make the compositional process as objective as possible. In a jointly-composed
work, choices and decisions must be motivated and justified in clear language. Just as the performers of a work, in order to come to an unanimos interpretation, need clear instructions to complement their musical intuition. With today's musical culture dominated by a sickly vagueness with regard to musical inspiration and musical feeling, this was an understandable reaction. The idea that music is a product of brains as well as intuition is difficult for the masses to digest, for they prefer to worship the divine hand of a mysterious rather than faces the banalities that composition as craftmanship demands. - JAN VRIEND

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Product Description Price/piece Count
Score Download to Newzik (A3), 56 pages EUR 32.40
Download as PDF (A3), 56 pages EUR 38.88
Hardcopy, normal size (A3), 56 pages EUR 64.81
Hardcopy, study size (A4), 56 pages EUR 43.80