composer

Baaren, Kees van

In his youth, Kees van Baaren played jazz and accompanied the Kabarett der Unmöglichen [Cabaret of the Impossible] to support himself. His great inspiration at the time was the jazz ...

related works

Musica per orchestra : 1965-'66 / Kees van Baaren

Genre: Orchestra
Subgenre: Orchestra
Instruments: fl fl(pic) fl-a 2ob eh 2cl cl-b 2fg cfg 4h 3trp 3trb tb timp 3perc vibr mar cel pf hp str

Concert voor piano en orkest : (1960), versie 1968 / Rob du Bois

Genre: Orchestra
Subgenre: Piano and orchestra
Instruments: 3332 sax-a 1221 timp 3perc hp str(0.0.7.5.5.) pf-solo

Aquarius : for piano and orchestra / Ángel Arranz

Genre: Orchestra
Subgenre: Piano and orchestra
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Concert : voor 2 piano's en orkest / H. Osieck

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composition

Concerto per pianoforte e orchestra : 1964 / Kees van Baaren

Publisher: Amsterdam: Donemus, cop. 1964
Publisher's number: 07556
Genre: Orchestra
Subgenre: Piano and orchestra
Instruments: pic fl ob eh cl cl-b fg cfg 4h 3trp 3trb tb timp 4perc hp str pf-solo
Remarks: In opdracht van de Johan Wagenaar Stichting. - Opgedragen aan Theo Bruins. - Tijdsduur: 13'20''
Duration: 13'00"
Year of composition: 1964
Status: fully digitized (real-time delivery)

Description:
Program note (English): Première: 20-11-1964 - Scheveningen - Theo Bruins with the Residentie Orkest, Willem van Otterloo, conducting) - This concert is in one movement with the understanding that eight sections ensue without interruption. Concepts on the proportion of piano - orchestra which deviates somewhat from the typical, has strongly influenced the structure. According to these conceptions the two concert elements - the piano and the orchestra have an autonomous and equal value. As a consequence the score does not contain passages in which one element is secondary to another, therefore for example, as introductory or accompanying or binding functions. Moreover the structure of the piano part relies frequently on other continuity principles than that of the orchestral part. - KEES VAN BAAREN

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