composer

Onna, Peter van

Peter van Onna was born in 1966 in Hengelo, The Netherlands. Education: Peter studied composition at the Royal Conservatory in The Hague with Louis Andriessen and Theo Loevendie. After this, he ...

related works

Memorial : for string quartet / Peter van Onna, 2007

Genre: Chamber music
Subgenre: String Quartet (2 violins, viola, cello)
Scoring: 2vl vla vc

Concerto Nº 7 : for luthéal and orchestra / Jan-Peter de Graaff

Genre: Orchestra
Subgenre: Piano and orchestra
Scoring: lutheal-solo picc 2fl(fl-a/picc) ob eh cl(cl-b) cl-b 2fg(cfg) 4h tpt-picc 2tpt 2trb trb-b tb timp 3perc hp cel str

Concertino nr. III : per pianoforte ed orchestra, 1966 / Jan van Dijk

Genre: Orchestra
Subgenre: Piano and orchestra
Scoring: 1010 sax-a 1110 str(vl vc) pf-solo

Corona Concerto : for piano and orchestra / Jan Vriend

Genre: Orchestra
Subgenre: Piano and orchestra
Scoring: 3fl/picc 2ob eh 2cl cl-b cl-cb afg cfg 4h 3tpt 2trb trb-b tb 8perc str

 

composition

Wheatfield with lark : for piano and orchestra, 1997 / Peter van Onna

Publisher: Amsterdam: Donemus, 2000
Publisher's number: 09368
Genre: Orchestra
Subgenre: Piano and orchestra
Scoring: 2fl fl(pic) 2ob eh 2cl cl-b 3fg 4h 3trp 3trb tb 3perc str(16.14.12.10.8.) pf-solo
Remarks: Geschreven voor de tournee 1998 van het Nederlands Studenten Orkest. - In opdracht van het Fonds voor de Scheppende Toonkunst. - Opgedragen aan Ananda Sukarlan. - Cop. 1997. - Tijdsduur: ca. 20'
Duration: 20'00"
Year of composition: 1997
Status: fully digitized (real-time delivery)

Description:
Program note (English): [Première: January 9, 1998 - Petrus en Pauluskerk, Bergen - Bart van de Roer, Student Orchestra of the Netherlands, Nicolette Fraillon, conducting] - Searching for the truth, meaninglessly and superfluous as chewing on water (Japanese haiku) - Wheatfield with lark is the third part of an orchestral cycle in which the pictorial is foremost. The first part of the cycle, Rain, steam and speed, is lent from the painting of the same title by William Turner. The second part of the cycle is The Mondrian equilibrium. The painting Wheatfield with lark by Vincent van Gogh was made 1887.
Van Gogh had just arrived from Antwerp in Paris and produced in Asnière (just outside Paris) a triad of landscapes, among which Wheatfield with lark. The painting has been divided, compositionally, in three layers. Cloudy, clear blue sky, the corn at the side and the field at the forefront. The compositional element in the canvas is brought entirely into balance due to a lark soaring above the corn. The most interesting aspect of this painting is however something else. The represented corn has been bent by wind. This creates the suggestion of movement within a frame which is furthermore completely static. In this respect Wheatfield with lark is similar to Rain, steam and speed. In this last painting, also a landscape, a steam engine is depicted.
The paradox between the static landscape on the one hand and the suggestion of speed and movement by the train on the other gives the painting an enormous tension and eloquence. Another well known example is a still life by Paul Cézanne, in which an erroneous perspective creates the felling that the apples will roll off the table. This results in the same impact. The tension which is brought by a friction between static versus something that seems to move is interesting to a composer, because translating this to music is difficult. This is exactly my goal with in Wheatfield with lark. The image of wind blowing through the rustling corn, finds its musical equivalent in the large-scale gestures whirling through the complete scope of the orchestral apparatus.
Van Gogh has moreover expressed his fascination for "wind which plays with corn" in several letters. The compositional balance in Van Gogh's painting is adjusted through the lark passing and in my work this is done in the piano solo. The Japanese temple bells at the beginning and at the end of my piece are a subtle reference to Japanese prints which were, during the time of impressionism, very popular with Van Gogh and his contemporaries. - PETER VAN ONNA

Sheet Music
If you are going to perform this composition, you can enter your concert information here. We will publish this information at the Donemus Facebook page and in the Donemus Concert Agenda.
You can buy the parts or other related products on-line. If you choose a downloadable product you will receive the product in digital form. In all other cases the product is sent to you physically. Please note that you require a copy of this product for every user.
Product Description Price/piece Count
Score Download to Newzik (A3), 76 pages EUR 43.06
Download as PDF (A3), 76 pages EUR 51.67
Hardcopy, normal size (A3), 76 pages EUR 86.12
Hardcopy, study size (A4), 76 pages EUR 58.08
Rental Part(s) Download to Newzik (B4), 244 pages EUR 95.12
Download as PDF (B4), 244 pages EUR 114.14
Hardcopy, normal size (B4), 244 pages EUR 190.24
Rent
You can rent this work by purchasing a rental license for one or more performances. If you buy a license you also need to buy 1 copy of the rental parts (see above). For each performance you need to obtain a rental license. More information about renting is available at the Donemus website. Please contact Donemus Publishing if you have any questions about renting before buying a license.
Number of performances
Total license costs
Live broadcast
If the work is being recorded for a live radio or TV broadcast or internet stream you can easily acquire the license for this. Any broadcast within 1 year of the recording of the work is defined as a 'live' broadcast. For every broadcast you need to obtain a license.
Audio broadcast (radio, internet)
Total license costs
Video broadcast (TV, streaming)
Total license costs
CD/DVD recordings
If you want to record this work to CD or DVD you can acquire a license here. For every title you need to obtain a license.
CD/DVD titles
Total license costs