related works
24 capriccio's voor viool solo
Genre:
Chamber music
Subgenre:
Violin
Scoring:
vl
Quale Coniugium! : Version for mezzo soprano or baritone and orchestra / Willem Jeths
Genre:
Vocal music
Subgenre:
Voice and orchestra
Scoring:
voc 2fl(picc) 2ob(eh) 2cl 2fg(fg-c) 2h 2trp 2trb tb perc cel str
Cloud Ossuary : Symphony Nº 4 for soprano and orchestra / Douglas Knehans; words by Katarina Knehans
Genre:
Vocal music
Subgenre:
Voice and orchestra
Scoring:
sop eh tpt 2perc hp str
Ballade : alt en klein orkest / [tekst] Charles d'Orléans, H. Henkemans
Genre:
Vocal music
Subgenre:
Voice and orchestra
Scoring:
alt 2120 2000 timp hp str(6.6.4.3.3.)
composition
Hymnus : für Sopran und grosses Orchester, Op. 67, 1965 / Text: Ingeborg Bachmann, "An die Sonne", Marius Flothuis
Other authors:
Bachmann, Ingeborg
(Text writer/Librettist)
Flothuis, Marius
(Composer)
Description:
Program note (English): (Première: 16-10-1974 - Concertgebouw, Amsterdam - Erna Spoorenberg with the Concertgebouworkest, Bernard Haitink, conducting) - Exactly one year prior to the first performance of my Hymnus, on October 17, 1973, the Austrian poet Ingeborg Bachmann died in Rome, reaching the age of 47. The first distinction which she received was from 'Gruppe 47 '; many would follow. She studied law and philosophy and received her doctorate in 1950, on a thesis, entitled 'critical Aufnahme of the Existentialphilosophie Martin Heideggers '. Ingeborg Bachmann excels as a 'musical' poet, in that sense; her poetry can carry music and also incite music. She is also one of the few able to write texts which are explicitly intended for musical versions (she wrote opera libretti and other texts for Hans Werner Henze). It is that attribute that I used - when the then minister of Arts and Sciences commissioned me in 1964 to write a work for voice and orchestra - I searched through the oeuvre of this
poet and found what I needed. I have tried to catch the continuously changing kaleidoscopic, the glittering of the poem "An die Sonne" in the very differentiated orchestration. - MARIUS FLOTHUIS