related works
Six Turkish folkpoems : for female voice and 7 instruments, (1977) / Theo Loevendie
Genre:
Vocal music
Subgenre:
Voice and instrument(s)
Scoring:
sopr/sopr-m fl(pic) cl perc hp pf vl vc
Cors et cordes : pour cor de basset et orchestre de chambre, 1978 / Geert van Keulen
Genre:
Orchestra
Subgenre:
Clarinet and large ensemble
Scoring:
0200 2000 cemb 12vl 4vla 4vc 2cb bh-solo
Genre:
Orchestra
Subgenre:
Clarinet and large ensemble
Scoring:
0200 2000 cemb 12vl 4vla 4vc 2cb cl-b-solo
Concerto for clarinet and ensemble : stripped version of the violin concerto, 2003 / Guus Janssen
Genre:
Orchestra
Subgenre:
Clarinet and large ensemble
Scoring:
fl(pic) ob cl cl-b fg h trp trb 2perc 2vl vla vc cb cl-solo
composition
Scaramuccia : for clarinet and orchestra, 1969 / Theo Loevendie
Other authors:
Loevendie, Theo
(Composer)
Description:
Program note (English): Scaramuccia, composed in 1968-69, was my first composition, and first commission, for a large group of players in which there were no jazz musicians. It seems evident to me that years of activity with jazz music have left their trace on my work in other fields. Perhaps the tutti for wind form (page 17 of the score of Scaramuccia) is an example of this.
Although it is my view that a composer's annotations for his own work scarcely enlighten the listener, even if they are not a verbal smoke-screen, I should like to consider more deeply one detail which strikes me as being the most personal in this work. It is what I should like to call the poly-motoric cluster in the strings from page 33 of the score. This arises by placing the interval combination of 4 notes, on which the whole piece is constructed, in 6 layers in such a way that a chromatic field of 24 notes is formed. Each layer has its own tempo and rhythmic patterns related to Morse code signals. It is the dynamic element (crescendo-decrescendo) which independently determines here which layer is heard audibly. It becomes consequently a lighthouse-in-the-dark effect which lasts nearly two minutes. Everything is present, but only a constantly changing section is perceptible. - THEO LOEVENDIE