composer
Loevendie calls himself a “latecomer as a composer”. Until the 1970s, he was known only as a jazz saxophonist. He gained international fame with his quartet (with Hans Dulfer, Arjen ...
related works
Aulos : for one or more instruments, (1972) / Theo Loevendie
Genre:
Chamber music
Subgenre:
Variable instrumentation
Samen sterk : voor basklarinet en ensemble / Roderik de Man, 2003
Genre:
Orchestra
Subgenre:
Clarinet and large ensemble
Instruments:
2fl(pic) cl 2sax 2h trp 2trb tb perc g g-b pf cl-b-solo
Scaramuccia : for clarinet and orchestra, 1969 / Theo Loevendie
Genre:
Orchestra
Subgenre:
Clarinet and large ensemble
Instruments:
2210 2110 3perc pf 12vl 5vla 4vc 3cb cl-solo
Signals and echoes : for 11 players and bass clarinet solo, 1982 / Joep Straesser
Genre:
Orchestra
Subgenre:
Clarinet and large ensemble
Instruments:
fl ob cl h trp perc pf vl vla vc cb cl-b-solo
composition
Incantations : for bass clarinet solo and orchestra, (1975) / Theo Loevendie
Description:
Program note (English): Although the work uses traditional notation, avant-garde techniques are present including quarter tones, flutter tonguing, and brief moments that are improvisational in style. The work uses the force and varied effects of the full orchestra, beginning with an intricate violoncello-bass part, and often involving complex rhythms in all parts of the orchestra. The style of the work is dissonant and achieves moments of rest by using fewer instruments and the relaxation of rhythm tension. The bass clarinet part will challenge the most versatile virtuoso including Sparnaay. Incantations is a one movement, multi-section work. The beginning and end of the piece are exceptionally quiet with a frenzy of activity and tension in the middle. The combination of tension and relaxation makes it an emotional experience for the performers as well as for the audience. - THEO LOEVENDIE