related works
Images oubliées : for orchestra / Claude Debussy; orchestrated by Bart Visman
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Orchestra
	
			Scoring: 
		
		3fl ob eh 2cl 2fg 4h 2trp 3trb tb timp perc hp str
	
Ragtime : for orchestra / Erik Lotichius
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Orchestra
	
			Scoring: 
		
		picc 2fl 2bsn 4cl cl-a cl-b sax-a sax-t 3tp 3h 3trb tb-bar tb-b timp perc 
	
Toccata : Cantate 3, for orchestra, 1999 / Hans Koolmees
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Orchestra
	
			Scoring: 
		
		5555 sax-s 4441 6perc hp 2pf str
	
Anaphora : for large symphony orchestra / Alexey Retinsky
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Orchestra
	
			Scoring: 
		
		4fl/picc 3ob/eh 3cl 3fg/cfg 6h 4tpt 3trb tb 5perc hp g-e keyb str
	
composition
				Six épigraphes antiques / orchestrated for small orchestra by Rudolf Escher, 1975-1977, Claude Debussy
			
					
										Other authors:
									
									
									Escher, Rudolf
									(Orchestrator)
								
							Debussy, Claude
									(Composer)
								
							
							Contains:
						
						
						Pour invoquer Pan, dieu de vent d'été
						Pour un tombeau sans nom
						Pour que la nuit soit propice
						Pour la danseuse aux crotales
						Pour l'Egyptienne
						Pour remercier la pluie au matin
						
							Description:
						
						
						Program note (English): (First radio-performance: July 6, 1978  (broadcast 20 July) - Radio Kamerorkest, Ernest Bour, conducting; first concert performance: October 28, 1979 - Grote Zaal Concertgebouw, Amsterdam - Concertgebouworkest, Bernard Haitink, conducting).
In 1914, shortly before World War I and four years after his death in 1918, Debussy completed his Six épigraphes antiques, a suite of six short pieces for piano-four hands (...). The composition has a remarkable hasty texture and does not reveal a typical piano ornamentation; it is in certain sense already particel (score-design), which reveals a certain instrumental source on each page, the source of 'music for two harps, celesta and some woodwinds.' Especially the dominant place of the harps can be seen in the scores' written notes.  Strengthened by the knowledge that Debussy (...) himself thought of an orchestration, I have considered my circumstances for the orchestration as a leading principle (...). - RUDOLF ESCHER