related works

L' hiver : dernière partie des "Saisons de Verlaine", tenor et orchestre, 1979 / Willem Frederik Bon

Genre: Vocal music
Subgenre: Voice and orchestra
Scoring: ten 2fl fl-a 2ob eh 2cl cl(cl-b) 2fg fg(cfg) 4h 2trp 3trb tb timp perc vibr mar cel hp str(10.10.8.6.4.)

Tema con variazioni : per orchestra, op. 666, 1981 / Jan van Dijk

Genre: Orchestra
Subgenre: Orchestra
Scoring: 3323 2231 timp 2perc hp str

Triple Concerto (Des-dur) : for violin, violoncello, piano and symphony orchestra / Maxim Shalygin

Genre: Orchestra
Subgenre: Orchestra
Scoring: vl-solo vlc-solo pf-solo 2fl(picc) 2ob 2cl 2fg 4h 3trp 3trb tb timp perc hp str

Gijsbrecht van Aemstel : Suite voor orkest / Bernard Zweers

Genre: Orchestra
Subgenre: Orchestra
Scoring: picc 3fl 3h h-a 3cl cl-b 3fg cfg 6h 3tpt 4trb tb-b timp perc str

 

composition

Circe : prelude for orchestra, (1972) / Willem Frederik Bon

Publisher: Amsterdam: Donemus, cop. 1972
Publisher's number: 03605
Genre: Orchestra
Subgenre: Orchestra
Scoring: 2fl 2ob 2cl 2fg 4h 2trp 2trb timp 4perc hp pf str
Remarks: Opgedragen aan Richard Williams en zijn Cedar Rapids Youth Symphony Orchestra. - Tijdsduur: ca. 13'
Duration: 13'00"
Year of composition: 1972
Status: not yet digitized (expected delivery time 14 days)

Other authors:
Bon, Willem Frederik (Composer)
Description:
Program note (English): The piece is based on the tenth book of Homerus' Odyssey and symbolises the episode of Odysseuss' travels, when reaches the island of Circe. After transforming his crew into pigs Circe uses her charms to chain Odysseus to her bed for two years. The curse in which Odysseus is caught is symbolised in the piece in harp, vibraphone, celesta and piano, and in the middle movement in the first and second violins and oboes. The tranquillity disappears shortly afterwards as Odysseus' feelings of homesickness and military lust arise. Brass and percussion illustrate this phase in the tale. Following a large climax, which introduces the eventual departure from Circes' island, the scale passages in harp and wind instruments from the beginning return once more, but now descending, and the work concludes with a vague recollection to the beginning chords full of a southern warmth, with which the piece opened, as the drawing of the setting against which this history takes place. - WILLEM
FREDERIK BON

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