related works
String Quartet / Henriette Bosmans
	
			Genre: 
		
		Chamber music
	
			Subgenre: 
		
		String quartet (2 violins, viola, cello)
	
			Scoring: 
		
		2vl vla vc
	
	
			Genre: 
		
		Vocal music
	
			Subgenre: 
		
		Voice and orchestra
	
			Scoring: 
		
		low 3233 4331 timp perc 2hp str
	
The Witches Broom : Version for Eagle recorder and piano / Chiel Meijering
	
			Genre: 
		
		Chamber music
	
			Subgenre: 
		
		Recorder and keyboard instrument
	
			Scoring: 
		
		rec pf
	
Xi Què (Magpie) : for great bass recorder in C / Wilma Pistorius
	
			Genre: 
		
		Chamber music
	
			Subgenre: 
		
		Recorder
	
			Scoring: 
		
		rec-b
	
composition
				Forbidden Music Regained : Volume 3
			
					
										Other authors:
									
									
									Belinfante, Daniel
									(Composer)
								
							Bosmans, Henriëtte
									(Composer)
								
							Colaço Osorio-Swaab, Reine
									(Composer)
								
							Gokkes, Sim
									(Composer)
								
							Hanf, Robert
									(Composer)
								
							Hijman, Julius
									(Composer)
								
							Kattenburg, Dick
									(Composer)
								
							Kok, Leo
									(Composer)
								
							Lachman, Hans
									(Composer)
								
							Leo Smit Stichting
									(Partner)
								
							Leo Smit Stichting
									(Partner)
								
							Leo Smit Stichting
									(Partner)
								
							Leo Smit Stichting
									(Partner)
								
							Leo Smit Stichting
									(Partner)
								
							Leo Smit Stichting
									(Partner)
								
							Lier, Bertus van
									(Composer)
								
							Simon, James
									(Composer)
								
							Smit, Leo
									(Composer)
								
							Wertheim, Rosy
									(Composer)
								
							Leo Smit Stichting
									(Partner)
								
							
							Contains:
						
						
						Daniël Belinfante: Quartet for two violins, cello and piano
						Julius Hijman: Little Dance Suite for winds, piano and percussion
						Julius Hijman: Ricercar for six trumpets and timpani 
						Dick Kattenburg: Pièce for flute and piano
						Leo Kok: Elf liederen for soprano and piano
						Leo Kok: Sept mélodies retrouvées / Deux chansons for soprano and piano
						Hans Lachman: Kleine Suite for two trumpets 
						Bertus van Lier: Vrijheid for voice or unisono boys choir and piano (including transcription for voice and organ)
						James Simon: Streichquartett
						Leo Smit: Concertino for harp and orchestra 
						Rosy Wertheim: Die Insel der Vergessenheit for voice and orchestra
						Henriëtte Bosmans: Doodenmarsch for spoken voice and orchestra
						Rosy Wertheim: Er rauscht und rauscht
						Rosy Wertheim: Hymne for soprano, violin and organ or harmonium (including transcription for soprano and organ)
						Rosy Wertheim: Le Tsigane dans la lune for soprano, violin or cello and piano
						Rosy Wertheim: Sonatine for piano
						Rosy Wertheim: Trois Chansons for flute, voice and harp or piano
						Rosy Wertheim: Zes Liederen for voice and piano
						Henriëtte Bosmans: Second Concerto for cello and orchestra
						Henriëtte Bosmans: String Quartet
						Henriëtte Bosmans: Trio for violin, violoncello and piano
						Reine Colaço Osorio-Swaab: Trio Nº 2 for violin, cello and piano
						Sim Gokkes: Eight Songs for high voice and piano
						Bob Hanf: Symphony 
						Julius Hijman: Five Songs for voice and piano
						
							Description:
						
						
						The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding. 
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this “unheard” music.