related works
cōnflārī : Version for cello, piano and Dutch/German baroque organ / Rick van Veldhuizen
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
vc pf org
Junglepixie : for harmony orchestra / Chiel Meijering
Genre:
Orchestra
Subgenre:
Band
Scoring:
picc 2fl 3ob 3cl b-cl 2fg 4sax 4fh 3tpt 3trb euph 3tb perc db
Reggae : Mars III, for wind orchestra, 1985 / Huub de Vriend
Genre:
Orchestra
Subgenre:
Band
Scoring:
2120 3sax 1222 barh 2perc
Discorsi ariosi : per fiati, contrabbasso e percussione / Nico Schuyt
Genre:
Orchestra
Subgenre:
Band
Scoring:
5.2.18.2 4sax 8962 2euph 5perc cb
composition
(un)mensch : for symphonic wind orchestra / Rick van Veldhuizen
Other authors:
Veldhuizen, Rick van
(Composer)
Description:
(un)mensch is a piece about radicalisation, and the tendency of humans to seek extremes. In current times, as in times past, people have dismissed radical or extreme behaviours as ‘inhuman’ or ‘evil’ behaviour, in the process distancing our humanity from it. This refusal to accept extremes as naturally human leads us astray, ‘Othering’ people we perceive to be different, and losing our concept of a shared humanity.
This piece takes the biggest villain in history, Adolf Hitler, as its starting point. Often considered ‘inhuman’ so one doesn’t have to associate oneself with him, portrayals of this historical figure paradoxically also paint him as a madman, plagued by amphetamine addiction, tinnitus and mental disorder. In short, his evil is often portrayed as both inhuman and quintessentially human.
(un)mensch, in turn, seeks to radicalize existing musical styles and ideas. From Ligeti-like micropolyphonies to Glass’s arpeggios and the unofficial anthem of the Third Reich, everything gets turned into a blurred, topsy-turvy version of itself. At the centre of this is an extensive quote from Richard Wagners Das Rheingold: the emerging and explosion of an idyllic, nationalistic dream, the fair copy of which perished with Hitler in his bunker in 1945.
Rick van Veldhuizen
26 March 2015