composer

Veldhuizen, Rick van

Rick van Veldhuizen (*1994, Tilburg) although reared on pop and folk, discovered classical music at the age of 11. He started composing pretty much at that point. Education: Starting in 2008, ...

related works

mais le corps taché d'ombres : for harp and string orchestra / Rick van Veldhuizen

Genre: Orchestra
Subgenre: Harp en strijkorkest
Scoring: hp-solo str

Heroneya : for violin, cello, bassoon, piano and electronic recording / Alla Zagaykevych

Genre: Electronical music
Subgenre: Gemengd ensemble (2-12 spelers) met elektronica
Scoring: vln vc fg pf tape

SCRAMBLED : for ensemble and electronics / Arnold Marinissen

Genre: Electronical music
Subgenre: Gemengd ensemble (2-12 spelers) met elektronica
Scoring: sax-b pf vn trb hp vc ob perc db tape

Vie di scampo : for dulcian, baroque trombone, organ, triple harp, 2 baroque violins, violone / viola da gamba and electronics / Rick van Veldhuizen

Genre: Electronical music
Subgenre: Gemengd ensemble (2-12 spelers) met elektronica
Scoring: dulcian trb org hp 2vn viola da gamba tape

 

composition

Magyar újrakeverés : Theatrical action for tenor recorder, mezzosoprano, string orchestra and electronics / Rick van Veldhuizen

Publisher's number: 22114
Genre: Electronical music
Subgenre: Gemengd ensemble (2-12 spelers) met elektronica
Scoring: zang/rec-t str tape
Remarks: Commissioned by Amsterdam Sinfonietta . Premiere: 10 February 2023 by Lucie Horsch and Amsterdam Sinfonietta in Concertzaal, Tilburg.
Duration: 5'30"
Year of composition: 2023
Status: fully digitized (real-time delivery)

Description:
Based on ethnomusicological recordings and manuscripts made by Béla Bartók and others, which were sung by people in the ethnically Hungarian parts of present-day Romania, Magyar újrakeverés playfully explores the question of when a version (whether it be written down, recorded or orally reproduced) is truly a definitive version – and whether that matters. As such, it pays homage not only to the original singers and their microtonal inflections, but also to Kate Bush’s work with the Trio Bulgarka and, more specifically, the remix tradition of the 1990s. And to the media these songs and remixes were rendered in – be they the oral tradition, phonograph rolls from 1911, LPs from 1938 or the DAW I’m using in 2023.
Rick van Veldhuizen

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