related works
Canzon de' baci : per voce solo e orchestra da camera / Andrzej Kwiecinski
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Voice and orchestra
	
			Scoring: 
		
		ten fl ob cl fg h trp trb vibr lastra trg pf str
	
Behind the veils of words : orchestra including human voice(s), 1973 / Charles van der Leeuw
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Orchestra; Voice and orchestra
	
			Scoring: 
		
		sopr/alt 1010 2sax 0111 timp perc pf str(6.6.4.4.3.)
	
Soy Manuela : voor sopraan en orkest / Carlos Micháns
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Voice and orchestra
	
			Scoring: 
		
		sopr 2fl 2ob 2cl 2 fg 2h 2trp 2trb timp 3perc tub-bells triangle whip sus-cymb cymb tam-tam drum-s drum-b hrp vl vla vc db
	
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Voice and orchestra
	
			Scoring: 
		
		bar 2fl 2ob 2cl 2fg 2h 2trp tr-t tr-b tb timp perc str
	
composition
				Canzon de' baci : per voce solo e orchestra da camera / Andrzej Kwiecinski
			
					
										Other authors:
									
									
									Kwiecinski, Andrzej
									(Composer)
								
							
							Description:
						
						
						Canzon de'baci is a turning point in my creative work. For a long time there appeared some kind of dichotomy in it - my interest in composition completely didn’t meet my passions as a countertenor, specializing in baroque singing. It was during Canzon de'baci when I realized that this couldn't go on.  I started to look for my identity, wondering what is most important for me, to seek common ground for the functioning of these two worlds. I tried to make Canzon de’baci extremely baroque, but not in an obvious way. I'm not interested neither in stylizations nor toying with the conventions. My intention is to create music that inherits modernist avant-garde idioms built on a repertoire of gestures performing analogous functions to the musical gestures of the Baroque era. My music has to be a baroque one, not an imitation of it. The basis of work is one of the most popular forms of Baroque - ciaccona. I hid the ciaccona melody not in the bass, but in high voice. Another very important part of my job is distortion, the melody is played by the piano on extreme harmonic positions. I wanted to build a structure a bit like Lego: to build a superstructure on substructure. – Andrzej Kwieciński of his work.