related works

24 capriccio's voor viool solo

Genre: Chamber music
Subgenre: Violin
Scoring: vl

Angels Dance : for four percussionists and orchestra / Olga Victorova

Genre: Orchestra
Subgenre: Percussion and orchestra
Scoring: 4perc-solo picc 2fl 3ob 2cl sax-a 2fg cfg 4h 2tpt trb tb str

The Longitude Act of 1714 : for percussion and orchestra, 2004 / David Dramm

Genre: Orchestra
Subgenre: Percussion and orchestra
Scoring: fl fl(pic) 2ob 2cl 2fg 4sax 2h 2trp trb-t 4perc str(6.4.4.3.1.) perc-solo

Two : for 2 percussion soloists and ensemble, 2003 / Lorre Lynn Trytten

Genre: Orchestra
Subgenre: Percussion and large ensemble; Percussion and orchestra
Scoring: fl(pic) ob cl fg h trp trb tb vl vla vc cb/str(3.3.2.1.) 2perc-solo

 

composition

The Laws of Science No. 2 : for 2 timpani and orchestra / JacobTV - Jacob Ter Veldhuis

Publisher: Amsterdam: Donemus, 1998
Publisher's number: 09385
Genre: Orchestra
Subgenre: Percussion and orchestra
Scoring: 2222 2200 perc str timp-solo
Remarks: The Laws of Science No.2 is a mini concerto for two timpani and orchestra. It composed in November 1994 for and dedicated to the Driebergen Chamber Orchestra, conducted by Dirkjan Horringa. Its premiere took place on March 18 1995, in Driebergen NL. Soloist was Nicolaas Dusseldorp.
Duration: 5'00"
Year of composition: 1994
Status: fully digitized (real-time delivery)

Other authors:
Veldhuis, Jacob ter (Composer)
Description:
The composition is derived from a section of the electronic work from 1992, which is based on statements by British physicist Stephen Hawking. Hawking is often regarded as the Einstein of our time. His ideas about God, cosmos, time and space are as fascinating as they are controversial:
“God would not have had any freedom to chose how the universe began. Instead, I would use the term 'god' as the embodiment of the laws of science. We are such insignificant creaturen on a minor placet of a very average star on the outer suburbs of one of a hunderd-thousand-million galaxies... So it is difficult to believe in a god that would care about us if he even noticed our existence.”
The certainty with which Hawking makes his statements is further emphasised by the fact that—almost completely paralysed and unable to speak—he communicated through a speech synthesizer that sounded like the voice of a robot.

Timpani are perhaps the most "certain" instruments in the orchestra: Timpani never "doubt" and always sound very decisive, like scientific axioms. Could it be that science is so fixated on itself that its practitioners, like Hawking, focus more on the laws of science than—what seems more logical to me—the exploration of the laws of nature? Hawking even goes so far as to regard "the laws of science" as a metaphor for God. In this mini concerto I wanted to musically depict the dogmatic and simultaneously contradictory nature of this, to me, tragicomic title.

Sheet Music
If you are going to perform this composition, you can enter your concert information here. We will publish this information at the Donemus Facebook page and in the Donemus Concert Agenda.
You can buy the parts or other related products on-line. If you choose a downloadable product you will receive the product in digital form. In all other cases the product is sent to you physically. Please note that you require a copy of this product for every user.
Product Description Price/piece Count
Score Download to Newzik (A4), 42 pages EUR 19.18
Download as PDF (A4), 42 pages EUR 23.01
Hardcopy, normal size (A4), 42 pages EUR 38.36
Rental Part(s) Download to Newzik (A4), 72 pages EUR 27.88
Download as PDF (A4), 72 pages EUR 33.45
Hardcopy, normal size (A4), 72 pages EUR 55.76
Rent
You can rent this work by purchasing a rental license for one or more performances. If you buy a license you also need to buy 1 copy of the rental parts (see above). For each performance you need to obtain a rental license. More information about renting is available at the Donemus website. Please contact Donemus Publishing if you have any questions about renting before buying a license.
Number of performances
Total license costs
Live broadcast
If the work is being recorded for a live radio or TV broadcast or internet stream you can easily acquire the license for this. Any broadcast within 1 year of the recording of the work is defined as a 'live' broadcast. For every broadcast you need to obtain a license.
Audio broadcast (radio, internet)
Total license costs
Video broadcast (TV, streaming)
Total license costs
CD/DVD recordings
If you want to record this work to CD or DVD you can acquire a license here. For every title you need to obtain a license.
CD/DVD titles
Total license costs