composer

Wagenaar, Diderik

Diderik Wagenaar studied music theory (with Jan van Dijk, Hein Kien en Rudolf Koumans) and piano (with Simon Admiraal) at the Royal Conservatory of Music in The Hague. Since 1990 ...

related works

Lent, vague, indécis : for instrumental ensemble, 1992-93 / Diderik Wagenaar

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Instruments: 1121 1000 cel harm hp 2vl vla vc cb

Halo : 2001 / Jan Vriend

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)

Divertimento : voor schoolorkest, 1964 / Tera de Marez Oyens

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Instruments: rec-s rec-a 0000 0000 Orff-instr g fiddles

Gravity waves : for ensemble, 1996 / Marcel Minderhoud

Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Instruments: 1221 sax-t 1110 timp perc clav 2vl vla vc cb

 

composition

Lent, vague, indécis : for instrumental ensemble, 1992-93 / Diderik Wagenaar

Publisher: Amsterdam: Donemus, [1995]
Publisher's number: 08412
Genre: Orchestra
Subgenre: Large ensemble (12 or more players)
Instruments: 1121 1000 cel harm hp 2vl vla vc cb
Remarks: Voor fluit, althobo, klarinet, basklarinet, fagot, hoorn, celesta, harmonium, harp, 2 violen, altviool, cello en contrabas. - In opdracht van het Fonds voor de Scheppende Toonkunst. - Geschreven voor het Schönberg Ensemble. - Opgedragen aan Reinbert de Leeuw. - Cop. 1993. - Tijdsduur: ca. 8'
Duration: 8'00"
Number of players: 14
Status: fully digitized (real-time delivery)

Description:
Program note (English): 'Lent, vague, indécis' is a visual inspired composition. The piece is a variation on the fourth prelude from the cycle opus 74 by Alexander Skrjabin. It derives it title from the performance notes by Skrjabin. The prelude has very pronounced rhythms and is one of Skrjabin's latest pieces in which the so-called 'Prometheus-chord' is missing*.
In 'Lent, vague, indécis' Skrjabin's harmonization is being harmonized. The changes in harmony are provided with simple or more complex resonance-chords. The original successive chords are delayed by one group of instruments and accelerated by another group. Some are repeated, others are left out. Therefore, we can describe the piece as a distorted memory to the prelude by Skrjabin.

- DIDERIK WAGENAAR * 'The Prometheus-chord' is named after Skrjabin's so called composition for piano and orchestra: Prométhée, le "Poème du Feu" op. 600 (1910).

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Product Description Price/piece Count
Score Download (A3), 36 pages EUR 24.10
Hardcopy, normal size (A3), 36 pages EUR 48.21
Hardcopy, study size (A4), 36 pages EUR 32.80