composer

Boogman, Willem

General: Willem Boogman was born in 1955 and grew up near the IJssel river (Netherlands). Education: Willem Boogman studied Philosophy at the University of Utrecht (1974-1975). He started study in composition ...

related works

Album : for piccolo (solo and various instruments) / W. Boogman, V. Lann, N. McGowan, P-J. van Rossum, C. Rumondor, A. Segall, B. Spaan; Initiated and edited by Ilonka Kolthof

Genre: Chamber music
Subgenre: Mixed ensemble (2-12 players)
Instruments: picc / picc elec / picc pf / picc mar

De Koning van Frankrijk en de stad Maestricht : opus 107, voor gemengd koor en blaasorkest , 1974 / tekst: onbekende dichter, 1673, Louis Toebosch

Genre: Vocal music
Subgenre: Mixed choir and large ensemble
Instruments: GK4 1131 sax-a sax-b sax-t 1101 crt barh

Coda : voor gemengd koor en orkest = for mixed choir and orchestra, 1983 / tekst = words: Giuseppe Verdi, Jacques Bank

Genre: Vocal music
Subgenre: Mixed choir and large ensemble
Instruments: GK4 2000 2sax 1330 pf cb

Licht en Donker III : for ensemble, solo voices, mixed choir and organ / Jan Welmers

Genre: Vocal music
Subgenre: Mixed choir and large ensemble
Instruments: GK4 2h 2tpt 2trb trb-b perc org acc str

 

composition

La disciplina dei sentimenti : per strumenti, coro doppio e parte parlata, 1981-1989 / libretto di Exsilio~, Willem Boogman

Publisher: Amsterdam: Donemus, cop. 1992
Publisher's number: 07941
Genre: Vocal music
Subgenre: Mixed choir and large ensemble
Instruments: recit 4sopr 4alt 2ten 2bas fl(pic) ob cl cl-b fg sax-t trp-p trp trb trb-b 2vl vla vc cb electronics
Remarks: Voor S(4)A(4)T(2)B(2), spreekstem, fluit (tevens piccolo), klarinet (tevens es-klarinet), hobo, basklarinet, fagot, piccolo trompet, trompet, tenorsaxofoon, trombone, bastrombone, 2 violen, altviool, cello en contrabas. - Tekst in 6 talen tevens apart afgedrukt. - Met voorw. tevens in het Frans. - Met financiële steun van het Amsterdams Fonds voor de Kunst en het Fonds voor de Scheppende Toonkunst. - Opgedragen aan C. Bremmers en D. van Schijndel. - Tijdsduur: ca. 25'
Duration: 25'00"
Status: fully digitized (real-time delivery)

Other authors:
Exsilio (librettist)
Description:
Program note (English): (Première: 17-12-1993 - Vredenburg, Utrecht - Charlotte Riedijk, speaking voice - ASKO Ensemble, ASKO Choir, Marc Foster, conducting) - The origin of La disciplina dei sentimenti is in the period 1980-1983. I was at that time linked to the Asko workshop: a group of musicians and composers. It was my training as a composer. The tie to the music practice and the benefit of speculation gave to me in those years the tools and the skills with which I would utilize in composition in the future. In 1981, at my request unfinished fragments by the poet Exsilio~ of his la disciplina dei sentimenti (1979-1980) were created into new text, which served as a departure point for this composition. More than all the impressions which I acquired during the Asko workshops, the new musical concepts are drawn from this text. In the text keeping things together at all costs is the subject without inventing a plot. This also is going on in the music. The compositional departure point has been that
music is continuous, never returning to a previous point or ending at a predictable point. To obtain this progression in musical drama it was necessary work with extremely differentiated musical elements. In my opinion one is unable to grasp the real effect of these elements when they are categorised in a system or method where sooner or later they lose their musical strength. I want to allow the elements to be more free and independent then the case has been in the dodecaphony or in serialism and doing so creating the possibility that each is mobilised element, at each moment, conveys and transports the progress of the music - WILLEM BOOGMAN

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Score Download (A3), 168 pages EUR 78.88
Hardcopy, normal size (A3), 168 pages EUR 157.77
Hardcopy, study size (A4), 168 pages EUR 105.40