composer

Boogman, Willem

Willem Boogman was born in 1955 and grew up near the IJssel river (Netherlands). He studied Philosophy at the University of Utrecht (1974-1975). He started study in composition at the ...

related works

Album : for accordion and two or more melodic instruments / D. de Kinkelder, K. Moore, J. Passenier, A. Brouwer, C. Meijering, W. Boogman

Genre: Chamber music
Subgenre: Accordion
Instruments: acc

Boere-charleston : voor sopraan- en baritonsolo, gemengd koor, 7 solo-blazers, 3 celli, 2 contrabassen, piano en slagwerk, 1949 (instrum. 1957) / gedicht: Paul van Ostaijen, Antoon Maessen

Genre: Vocal music
Subgenre: Mixed choir and large ensemble
Instruments: sopr bar GK4 1111 1110 perc pf 3vc 2cb

Nocturno del hueco : for mixed choir, large instrumental ensemble and magnetic tape, 1990 / poem by Federico García Lorca, Enrique Raxach

Genre: Vocal music
Subgenre: Mixed choir and large ensemble; Electronics and singing voice(s) with or without instrument(s)
Instruments: GK4 3020 2231 4perc tape

Aula novis gaudet : voor kamerkoor en 15 instrumentalisten, 1988 / Herman Strategier

Genre: Vocal music
Subgenre: Mixed choir and large ensemble
Instruments: GK4 1111 1000 perc 4vl 2vla 2vc cb

 

composition

La disciplina dei sentimenti : per strumenti, coro doppio e parte parlata, 1981-1989 / libretto di Exsilio~, Willem Boogman

Publisher: Amsterdam: Donemus, cop. 1992
Publisher's number: 07941
Genre: Vocal music
Subgenre: Mixed choir and large ensemble
Instruments: recit 4sopr 4alt 2ten 2bas fl(pic) ob cl cl-b fg sax-t trp-p trp trb trb-b 2vl vla vc cb electronics
Remarks: Voor S(4)A(4)T(2)B(2), spreekstem, fluit (tevens piccolo), klarinet (tevens es-klarinet), hobo, basklarinet, fagot, piccolo trompet, trompet, tenorsaxofoon, trombone, bastrombone, 2 violen, altviool, cello en contrabas. - Tekst in 6 talen tevens apart afgedrukt. - Met voorw. tevens in het Frans. - Met financiële steun van het Amsterdams Fonds voor de Kunst en het Fonds voor de Scheppende Toonkunst. - Opgedragen aan C. Bremmers en D. van Schijndel. - Tijdsduur: ca. 25'
Duration: 25'00"
Year of composition: 1989
Status: fully digitized (real-time delivery)

Other authors:
Exsilio (librettist)
Description:
Program note (English): (Première: 17-12-1993 - Vredenburg, Utrecht - Charlotte Riedijk, speaking voice - ASKO Ensemble, ASKO Choir, Marc Foster, conducting) - The origin of La disciplina dei sentimenti is in the period 1980-1983. I was at that time linked to the Asko workshop: a group of musicians and composers. It was my training as a composer. The tie to the music practice and the benefit of speculation gave to me in those years the tools and the skills with which I would utilize in composition in the future. In 1981, at my request unfinished fragments by the poet Exsilio~ of his la disciplina dei sentimenti (1979-1980) were created into new text, which served as a departure point for this composition. More than all the impressions which I acquired during the Asko workshops, the new musical concepts are drawn from this text. In the text keeping things together at all costs is the subject without inventing a plot. This also is going on in the music. The compositional departure point has been that
music is continuous, never returning to a previous point or ending at a predictable point. To obtain this progression in musical drama it was necessary work with extremely differentiated musical elements. In my opinion one is unable to grasp the real effect of these elements when they are categorised in a system or method where sooner or later they lose their musical strength. I want to allow the elements to be more free and independent then the case has been in the dodecaphony or in serialism and doing so creating the possibility that each is mobilised element, at each moment, conveys and transports the progress of the music - WILLEM BOOGMAN

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Score Download to Newzik (A3), 168 pages EUR 78.88
Download as PDF (A3), 168 pages EUR 94.66
Hardcopy, normal size (A3), 168 pages EUR 157.77
Hardcopy, study size (A4), 168 pages EUR 105.40