composer

Boogman, Willem

General: Willem Boogman was born in 1955 and grew up near the IJssel river (Netherlands). Education: Willem Boogman studied Philosophy at the University of Utrecht (1974-1975). He started study in composition ...

related works

Liefde een woning : Nº 1 from the cycle of madrigals “Gioiosamente Canto”; for mezzo-soprano and organ / Willem Boogman; lyrics by Sandra Macrander

Genre: Vocal music
Subgenre: Voice and Organ
Instruments: zang org

De Koning van Frankrijk en de stad Maestricht : opus 107, voor gemengd koor en blaasorkest , 1974 / tekst: onbekende dichter, 1673, Louis Toebosch

Genre: Vocal music
Subgenre: Mixed choir and large ensemble
Instruments: GK4 1131 sax-a sax-b sax-t 1101 crt barh

Boere-charleston : voor sopraan- en baritonsolo, gemengd koor, 7 solo-blazers, 3 celli, 2 contrabassen, piano en slagwerk, 1949 (instrum. 1957) / gedicht: Paul van Ostaijen, Antoon Maessen

Genre: Vocal music
Subgenre: Mixed choir and large ensemble
Instruments: sopr bar GK4 1111 1110 perc pf 3vc 2cb

Antifoon : voor amateur koor en orkest, 1977 / Robert Nasveld

Genre: Vocal music
Subgenre: Mixed choir and large ensemble
Instruments: GK4 80rec 20.0.8.0 sax-a 0400 timp 2perc-groups org audience

 

composition

La disciplina dei sentimenti : per strumenti, coro doppio e parte parlata, 1981-1989 / libretto di Exsilio~, Willem Boogman

Publisher: Amsterdam: Donemus, cop. 1992
Publisher's number: 07941
Genre: Vocal music
Subgenre: Mixed choir and large ensemble
Instruments: recit 4sopr 4alt 2ten 2bas fl(pic) ob cl cl-b fg sax-t trp-p trp trb trb-b 2vl vla vc cb electronics
Remarks: Voor S(4)A(4)T(2)B(2), spreekstem, fluit (tevens piccolo), klarinet (tevens es-klarinet), hobo, basklarinet, fagot, piccolo trompet, trompet, tenorsaxofoon, trombone, bastrombone, 2 violen, altviool, cello en contrabas. - Tekst in 6 talen tevens apart afgedrukt. - Met voorw. tevens in het Frans. - Met financiële steun van het Amsterdams Fonds voor de Kunst en het Fonds voor de Scheppende Toonkunst. - Opgedragen aan C. Bremmers en D. van Schijndel. - Tijdsduur: ca. 25'
Duration: 25'00"
Year of composition: 1989
Status: fully digitized (real-time delivery)

Other authors:
Exsilio (librettist)
Description:
Program note (English): (Première: 17-12-1993 - Vredenburg, Utrecht - Charlotte Riedijk, speaking voice - ASKO Ensemble, ASKO Choir, Marc Foster, conducting) - The origin of La disciplina dei sentimenti is in the period 1980-1983. I was at that time linked to the Asko workshop: a group of musicians and composers. It was my training as a composer. The tie to the music practice and the benefit of speculation gave to me in those years the tools and the skills with which I would utilize in composition in the future. In 1981, at my request unfinished fragments by the poet Exsilio~ of his la disciplina dei sentimenti (1979-1980) were created into new text, which served as a departure point for this composition. More than all the impressions which I acquired during the Asko workshops, the new musical concepts are drawn from this text. In the text keeping things together at all costs is the subject without inventing a plot. This also is going on in the music. The compositional departure point has been that
music is continuous, never returning to a previous point or ending at a predictable point. To obtain this progression in musical drama it was necessary work with extremely differentiated musical elements. In my opinion one is unable to grasp the real effect of these elements when they are categorised in a system or method where sooner or later they lose their musical strength. I want to allow the elements to be more free and independent then the case has been in the dodecaphony or in serialism and doing so creating the possibility that each is mobilised element, at each moment, conveys and transports the progress of the music - WILLEM BOOGMAN

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Score Download to Newzik (A3), 168 pages EUR 78.88
Download as PDF (A3), 168 pages EUR 94.66
Hardcopy, normal size (A3), 168 pages EUR 157.77
Hardcopy, study size (A4), 168 pages EUR 105.40