composer
Ton de Leeuw was born on November 16, 1926 in Rotterdam. He died on May 31, 1996 in Paris (France).
In 1949, after some years of composition lessons with Henk Badings, ...
related works
A cette heure du jour : for mixed choir a cappella, 1991-1992 / Ton de Leeuw
Genre:
Vocal music
Subgenre:
Mixed choir
Instruments:
GK8
De droom : opera, Hilversum 1962-1963 / Ton de Leeuw
Genre:
Opera, musical theatre
Subgenre:
Opera
Instruments:
sopr a-mezzo bar GK4 3222 2220 timp 2perc mar hp str dancers
Genre:
Opera, musical theatre
Subgenre:
Opera
Instruments:
soloists 2fl(picc/fl-a) 2ob(eh) 2cl(cl-b) 2cl-b 2fg(cfg) 4h 3tpt 3trb tb 7perc str
Rochester's second bottle : a chamber opera in two acts, 2002 / libretto: Nicholas Fisher, Hans Kox
Genre:
Opera, musical theatre
Subgenre:
Opera
Instruments:
sopr sopr-m alt 2ten bar bas-bar bas recit fl(pic, fl-a) ob cl(cl-b) 2h trp perc pf(cel) 3vl vla 2vc cb
composition
Antigone : muziekdrama, naar een vrije bewerking van Sophocles door de componist = drame musical, d'après une interpretation libre de l'oeuvre de Sophocle par le compositeur, 1991 / Ton de Leeuw
Other authors:
Leeuw, Ton de
(librettist)
Sophocles
(librettist)
Description:
Program note (English): Rather than an expressionistic approach, there is lucid, reserved intensity, sober vocal line with a nearly liturgical character, and - despite the apparent simplicity - strict modal cyclicity (as has been outlined for example in the doctoral thesis written by Dr R. de Groot: "Compositie en intentie van Ton de Leeuws muziek" [Composition and intention in the music of Ton de Leeuw], University of Amsterdam).
Rather than being set as a confrontation between individuals, three of the four roles are interpreted by choirs. The only soloist is Antigone but neither does her role dominate.
A stylised approach rather than realism. To give an example, in the dialogue between Antigone and Ismene, the characters sing their thoughts simultaneously rather than in alternation with each other. - TON DE LEEUW