composer
Will Eisma was born on May 13, 1929 at Sungailiat (Indonesia).
In 1946 Eisma came to The Netherlands. From 1948 to 1953 he studied violin with Jewsey Wulf and Oscar Back ...
related works
Quattro violini : for 4 violins, 1999 / Will Eisma
Genre:
Chamber music
Subgenre:
Violin
Scoring:
4vl
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Scoring:
1000 3sax 1330 pf cb
Prayer : Version for violin, alto saxophone, piano and string orchestra / Jeroen D'hoe
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Scoring:
vn sax-a pf str
Verdikte Paalwortel : for ensemble / Chiel Meijering
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Scoring:
2fl/picc cl/cl-b sax-a/sax-s sax-bar/sax-s 2h tpt 2trb tb perc pf gtr-e bass-e
composition
Diaphora : per 15 archi, cembalo, marimbaphone e batteria / Will Eisma
Contains:
Spectra I
Canzona
Spectra II
Description:
Program note (English): Diaphora literally means 'distinction with regard to the repetition of the same word with a different meaning'. In this composition, motifs and tone series from an earlier composition were used and placed in a different light. The title, however, also refers to the first and third movements: both are based on the same chord formations and thematic complexes. A characteristic feature throughout the composition is the repeated curbing of a specific motion. For example in the first part: turbulent string figures alternate with sections that seem to stand still in time. In the second movement, a solo violin begins with a theme, followed by a violoncello, a second violin and a viola. After some bars, the motion becomes rigid, with long held chords, only slightly coloured by an accent or a tone shifting. After about twenty bars, the music is set in motion again, and gradually themes start shifting on top of each other. Then again there is a curbing with long-held chords. The third
movement has a slow introduction, consisting of twice a percussion solo followed by 'crescendo' figures in the strings. The fast section that follows is curbed once more, then seems to proceed, undisturbed, towards the end. - WILL EISMA