related works

Trimurti : trittico per quartetto d'archi, (1980) / Jan van Vlijmen

Genre: Chamber music
Subgenre: String quartet (2 violins, viola, cello)
Scoring: 2vl vla vc

Sinfonia concertante (no. 2) : for violin, violoncello and orchestra, 1996 / Carlos Micháns

Genre: Orchestra
Subgenre: Two or more different solo instruments and orchestra
Scoring: 2222 2000 hp str vl-vc-solo

Mimesis : for instrumental quintet and chamber orchestra, 1974 / Koos Terpstra

Genre: Orchestra
Subgenre: Two or more different solo instruments and orchestra
Scoring: 0000 sax-s 1230 3perc g-b 7saw-blades 6vl 2vla 2vc cb 3fl-ob-cl-solo

Thought : for three soloists and orchestra / Ivo van Emmerik

Genre: Orchestra
Subgenre: Two or more different solo instruments and orchestra
Scoring: 5040 2341 5perc 2hp str(16.14.12.10.8) fl-b-cl-b-pf-solo

composition

Quaterni II : (sonata a tre), per violino, corno e pianoforte soli ed orchestra / Jan van Vlijmen

Author(s):
Vlijmen, Jan van (Composer)
Description:
Program note (English): 'Quaterni II' is the second part of a tripartite, evening-length composition begun in 1979 and completed in 1984. (The title would imply a work in four parts, which was originally intended; in the course of the years, however, an overall structure of three instead of four parts appeared to be preferable.) The title refers to a composition technique providing the basis for all three parts: the number 4 (Quaterni means 'four at a time') has a dominant function, for instance in the way in which serial technique is applied; the interval of the fourth, moreover, plays an important role in this second part. Although the scoring of 'Quaterni II' - three soloists with orchestral accompaniment - could indicate a kind of concertante music, this is absolutely not what the music is like: it is and remains a work for orchestra from beginning to end. The three solo instruments stand out in relief against the orchestra, so to speak, intensifying the orchestral décor.
'Quaterni II' consists of seven parts, each merging into the other without interruption. The number seven was determined by the number of possible combinations between solo instruments and orchestra.In the realization of the overall conceptual idea of Quaterni, a technique found for instance in J. Joyce's 'Ulysses' has been made use of in various respects. Some interrupted passages or not yet fully developed motives or phrases are to be continued or enclosed at a later stage of the work - 'Quaterni II' will hold consummation. - JAN VAN VLIJMEN