composer

Andriessen, Jurriaan

Though Juriaan Andriessen was of the generation of musical innovators such as Pierre Boulez and Karlheinz Stockhausen, his main musical influences were pre-war French composers. Andriessen composed an extensive body ...

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12 vocalises

Genre: Vocal music
Subgenre: Voice solo; Voice and piano; Voice and instrument(s)
Instruments: voice solo ; voice pf ; voice perc pf ; voice vc ; 4voices

Concert : voor piano en orkest / Joh. Bordewijk-Roepman

Genre: Orchestra
Subgenre: Piano and orchestra
Instruments: 3322 4331 timp perc str pf-solo

Homage to Gershwin : voor groot orkest / Jan Koetsier

Genre: Orchestra
Subgenre: Orchestra; Piano and orchestra
Instruments: 3333 4331 timp 4perc cel hp str (pf-solo in 1 en 3)

Concerto per pianoforte e orchestra : 1964 / Kees van Baaren

Genre: Orchestra
Subgenre: Piano and orchestra
Instruments: pic fl ob eh cl cl-b fg cfg 4h 3trp 3trb tb timp 4perc hp str pf-solo

 

composition

Concerto : voor piano en orkest / door Jurriaan Andriessen

Publisher: Amsterdam: Donemus, cop. 1947
Publisher's number: 07362
Genre: Orchestra
Subgenre: Piano and orchestra
Instruments: 3333 sax-a 4331 timp 2perc hp str pf-solo
Remarks: Opgedragen aan Lia Palla. - Jaar van comp.: 1948. - Tijdsduur: 16'45''
Duration: 26'00"
Year of composition: 1948
Status: fully digitized (real-time delivery)

Contains:
Allegro moderato
Lento
Allegro scherzando
Description:
Program note (English): The quick movements are lively and playful, the piano is treated as a 'motoric' instrument, often even as a percussion instrument; lyricism is only heard in the second movement. The form of the first movement resembles that of the pre-Mozart concerto. But, whilst in those baroque concertos generally the principal subject and its repeats are played by the whole ensemble and the episodes by the soloist, here both partners take part in the evolution of the musical ideas. The principal subject is mainly given to the soloist, after a few introductory bars of the orchestra. Two themes are alternating in the slow second movement, which conditions a complex binary form. The third movement has a rondo form.

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