related works
Concerto : per flauto ed orchestra / Hans Henkemans
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Flute and orchestra
	
			Scoring: 
		
		3333 4331 timp perc cel hp str fl-solo
	
Canti di Michelangelo : per basso ed orchestra / Hugo Wolf; arr. by Karel Mengelberg
	
			Genre: 
		
		Vocal music
	
			Subgenre: 
		
		Voice and orchestra
	
			Scoring: 
		
		bas 2222 2200 timp hp str
	
Five Orchestral Songs to Poems of Sylvia Plath : for soprano and large orchestra / Douglas Knehans
	
			Genre: 
		
		Vocal music
	
			Subgenre: 
		
		Voice and orchestra
	
	
			Genre: 
		
		Vocal music
	
			Subgenre: 
		
		Voice and orchestra
	
			Scoring: 
		
		voice hp str
	
composition
				Chamber music : a cycle of eight songs for tenor voice and small orchestra, 1991 / poems by James Joyce, Hans Henkemans
			
					
										Other authors:
									
									
									Joyce, James
									(Text writer/Librettist)
								
							Henkemans, Hans
									(Composer)
								
							
							Contains:
						
						
						Andantino
						Allegretto molto tranquillo
						Allegretto leggiero
						Andante con moto, quasi rubato
						Allegro non lento
						Vivo
						Quasi lento
						Allegro non troppo, ma feroce
						
							Description:
						
						
						Program note (English): [Première: 11-12-1992 - Vredenburg, Utrecht - Ian Partridge, tenor with the Radio Chamber Orchestra, David Porcelijn, conducting] - The texts of the song cycle Chamber Music have been taken from a collection of poetry by James Joyce which was published in 1907. Joyce, who received a musical education in Paris for concert singer, published his own texts. The sleeve of the publication by Jonathan Cape mention among others this: Elusive and formal, these poems are, above all, musical. Joyce, who trained as a singer in Paris, set of to write of lyrics that could be sung, and their imagery - characteristically - appeals chiefly to the ear. Echoes from books, together with images from musical instruments, contribute to Joyce's "elegant and antique phrase". His models are the Elizabethan lyricists, the airs of Dowland and the words of Shakespeare. I have selected eight of the 36 poems for this cycle. - HANS HENKEMANS