related works
String Quartet / Henriette Bosmans
Genre:
Chamber music
Subgenre:
String quartet (2 violins, viola, cello)
Scoring:
2vl vla vc
Internationale dierentuin : sopraan solo, piano, trombone, strijkorkest, 1978 / Alphonse Stallaert
Genre:
Vocal music
Subgenre:
Voice and orchestra
Scoring:
sopr 0000 0010 pf str
Trois chansons des maquisards condamnés : pour baryton ou alto et orchestre / Daniel Ruyneman
Genre:
Vocal music
Subgenre:
Voice and orchestra
Scoring:
alt/bar 2332 2220 timp perc hp str
Sine nomine : for soprano & chamber orchestra, (1973) / Enrique Raxach
Genre:
Vocal music
Subgenre:
Voice and orchestra; Multimedia and singing voice(s) with or without instrument(s)
Scoring:
sopr 2222 sax-a 2220 2perc el.g hp man ham.org cemb (pf synth ad lib.) str(8.5.5.4.2.) tape
composition
Lead, kindly light : for soprano and orchestra / Henriëtte Bosmans; words by Cardinal J.H. Newman
Author(s):
Leo Smit Stichting
(Partner)
Bosmans, Henriëtte
(Composer)
Description:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades
numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this “unheard” music.