related works
Oh oor o hoor : vijf gedichten van Lucebert voor bas-bariton en orkest, 1987 / Theo Loevendie
Genre:
Vocal music
Subgenre:
Voice and orchestra
Scoring:
bas-bar 3333 4220 3perc cel hp str
Symphony 5 : "Time-spirit", for clarinet and orchestra / Jurriaan Andriessen
Genre:
Orchestra
Subgenre:
Clarinet and large ensemble
Scoring:
2222 4031 2perc hp pf 2vl 2vla 2vc 2cb pop group: drumset g-b ham.org cl-solo
Samen sterk : voor basklarinet en ensemble / Roderik de Man
Genre:
Orchestra
Subgenre:
Clarinet and large ensemble
Scoring:
2fl(pic) cl 2sax 2h trp 2trb tb perc g g-b pf cl-b-solo
Transport to summer : [for] clarinet, 12 strings, percussion [and] piano, 1977 / Walter Hekster
Genre:
Orchestra
Subgenre:
Clarinet and large ensemble
Scoring:
perc pf 6vl 3vla 2vc cb cl-solo
composition
Scaramuccia : for clarinet and orchestra / Theo Loevendie
Other authors:
Loevendie, Theo
(Composer)
Description:
Program note (English): Scaramuccia, composed in 1968-69, was my first composition, and first commission, for a large group of players in which there were no jazz musicians. It seems evident to me that years of activity with jazz music have left their trace on my work in other fields. Perhaps the tutti for wind form (page 17 of the score of Scaramuccia) is an example of this.
Although it is my view that a composer's annotations for his own work scarcely enlighten the listener, even if they are not a verbal smoke-screen, I should like to consider more deeply one detail which strikes me as being the most personal in this work. It is what I should like to call the poly-motoric cluster in the strings from page 33 of the score. This arises by placing the interval combination of 4 notes, on which the whole piece is constructed, in 6 layers in such a way that a chromatic field of 24 notes is formed. Each layer has its own tempo and rhythmic patterns related to Morse code signals. It is the dynamic element (crescendo-decrescendo) which independently determines here which layer is heard audibly. It becomes consequently a lighthouse-in-the-dark effect which lasts nearly two minutes. Everything is present, but only a constantly changing section is perceptible. - THEO LOEVENDIE