related works
Salmo 150 : per coro misto e organo elettronico / Jan Wisse
	
			Genre: 
		
		Vocal music
	
			Subgenre: 
		
		Mixed choir and organ
	
			Scoring: 
		
		GK4 el.org
	
Symphonie no. 2 : Prélude à la nouvelle journée, 1919-1920 / Matthijs Vermeulen
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Orchestra
	
			Scoring: 
		
		4fl(pic) 2ob 2ob(eh) 5cl cl-b 3fg cfg 4h 2trp-p 4trp 3trb-t tb timp 4perc xyl 2hp str
	
Sinfonietta : (1938) / Henri C. van Praag
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Orchestra
	
			Scoring: 
		
		1211 2000 str
	
Symphonie : (a minor), for orchestra, 1931 / ed. by John Smit, Julius Röntgen
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Orchestra
	
			Scoring: 
		
		3232 4230 timp hp str
	
composition
				Sette aforismi : per orchestra da camera / Jan Wisse
			
					
										Other authors:
									
									
									Wisse, Jan
									(Composer)
								
							
							Contains:
						
						
						Molto adagio
						Prestissimo possible
						Andante
						Allegro
						Andantino
						Vivace
						Largo
						
							Description:
						
						
						Program note (English): '...those who believe that tones alone express something worthwhile.'
One could call Sette aforismi a material exploration. Departure point was taking an existing twelve-tone range (the range which lies at the basis of Schönbergs Suite op. 25) and further imposing the restriction to a Mozart instrumentation as requested by the commissioners.  The intention was to take the different conformations on which the tonal range is based through the changing horizontal and vertical positioning, characterising as concise a form as possible. (Things take place within minutes). Upon realisation the length, strength and color are free, and therefore not used, as in serial music, a priori arranged factors, but exclusively for the closer characterisation and outline of those conformations. Furthermore, the Sette aforismi is not different than any other legitimate work which borrows from the auditive tensions which arise from material structure: nothing different than music. - JAN WISSE