composer
Jan Rokus van Roosendael sought from the beginning an individual idiom that allowed him to express his leaning toward reflection and the spiritual. He initially found inspiration in non-Western music, ...
related works
24 capriccio's voor viool solo
Genre:
Chamber music
Subgenre:
Violin
Scoring:
vl
Kosmochromie I : für 4 Lautsprecher und Orchester, (1971) / Berend Giltay
Genre:
Orchestra
Subgenre:
Orchestra; Orchestra with electronics
Scoring:
3333 4330 timp perc mar vibr str(6.6.4.4.4.) tape
Oracle : for chamber orchestra / Xander Hunfeld
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl(fl-a) 2ob(eh) 2cl(cl-b) 2fg 2h 2tpt perc hp str
Pleinvrees : voor kamerorkest, 1991 / Maurice Horsthuis
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
0020 sax-a 2211 hp str
composition
Anabasis : voor orkest, 1984 / Jan Rokus van Roosendael
Description:
Program note (English): Although the title refers to Xenophon's account of the excursion by the Greeks through Asia-Minor, his Anábasis has nothing to do with my Anabasis. I chose the Greek word anábasis, which means something like: "rise, or uprising, upstream, elevation"... etc. to describe the escalating passages (in small intervals) and the fast development (in large intervals). The pillars of this composition are formed by a recurring, rapidly rising Rakete"-motif, the pediment with its slowly rising and falling structure. The material exists from five different ranges built from three tetrachords. Through the usage of these tetrachords (in total four types) the musical language becomes somewhat modal in character. Anabasis is a composition with many contrasts: fast-slow, aggression-resignation, light-dark, movement and eventually at the end, following the last pillar, rest. - JAN ROKUS VAN ROOSENDAEL