related works
Genre:
Vocal music
Subgenre:
Mixed choir and orchestra
Scoring:
2222 4331 timp perc hp str (GK4 ad lib. in finale)
L'ère du verseau: Prelude (uit Aquarius) : voor orkest / Karel Goeyvaerts
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl 2ob 2cl 2fg 4h 3tpt 3trb perc pf str
Hommage à Chabrier : (naar de aan Cor de Groot opgedragen piano solo), '50-'51 / Hugo Godron
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2222 4331 timp 2perc str
Resurrection Power : version for symphony orchestra & soundtrack / JacobTV - Jacob Ter Veldhuis
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc fl ob cl bsn 4h (2h 2sax-a) tpt trb dr str
composition
Réflexions sonores : pour orchestre / Anthon van der Horst
Other authors:
Horst, Anthon van der
(Composer)
Contains:
Le fleuve Godawari-Le royaume Pratichtana, situé sur le fleuve Godawari-Le roi Triwikramasena
Le moine mendiant-Le singe domestique-Pierreries
Nuit-Le passage à travers le crématorium-Le cercle magique-Le wétala
Danse magique-Transfiguration-Le roi, suivant le wétala
Description:
Program note (English): (Première: 5-2-1964 - Amsterdam - Concertgebouw Orchestra, Bernard Haitink, conducting) The following can be noted about the music: this reflects in the sense of mirroring, not reflecting. It is up to the listener, after reading the synopsis, as to what will be recognised in the music. Each movement has specific notes. The score contains however also unmentioned details. The consecutive movement of the consonance pictures is not always chronological; as a result, this is not programme music in the usual sense of the word. The form has been composed ex improviso - i.e. from the unforeseen. Easily distinguishable are the themes of the king and of the monk. The vampire is represented by the clarinet in e-flat, the yogin by solo violin. My intention was for the audience to listen creatively to a strange but extremely coloured and captivating tale. They do not need to worry about technical, compositional matters like main or parallel, augmentation, diminutions, mirrorings etc.;
that searching would be in vain. In this way I dedicate this work, in addition to the conductor and members of the Concertgebouworkest, to the Concertgebouw audience. The tonal harmony and melodics are alternatively based on dia - and octotonics, however very freely. Several tonal centers vary with each other; the improvisatory character yields the possibility of a central place within the piece. - ANTON VAN DER HORST