related works
Concert voor harp en orkest : 1955 / Hans Henkemans
Genre:
Orchestra
Subgenre:
Harp and orchestra
Scoring:
3333 4331 timp 2perc xyl cel str hp-solo
Scenes from the painted bird : for orchestra, 1982 / David Rowland
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3333 4331 timp 3perc cel hp str
Loopstate : voor kamerorkest, ensemble en live elektronica, 2003 / Huib Emmer
Genre:
Orchestra
Subgenre:
Orchestra; Orchestra with multimedia
Scoring:
orchestra: 2fl 2ob 2cl 2fg 2h 2trp 2trb str ; ensemble: el.g cl-b pf perc live electronics
Beyond context : for chamber orchestra / Svitlana Azarova, 2008
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
fl ob cl fg 2h trp trb perc pf str
composition
Barcarola fantastica : per orchestra, 1962 / Hans Henkemans
Other authors:
Henkemans, Hans
(Composer)
Description:
Program note (English): The Barcarola Fantastica was the result of a commission received on the occasion of the centenary of the Northern Philharmonic Orchestra, Groningen, The Netherlands.
The composition has been scored for normal large orchestra, to wich has been added an alto-flute as only unusual instrument. On the steady rhythms of 6/8 and 9/8 beats -the rhythms of the Barcarola, the Venetian gondola-song- the composition develops as a fantasia on the two principal motives of themes, the first of which is heard, after some introductory bars, in the flute and alto-flute; the second, immediately following upon the first, is played unisono by 'cellos and bass-clarinet.
It is in no way important to try and follow the formal and technical developments in order to appreciate the composition. A thorough-going elucidation would, therefore, seem redundant.
The only aspect of the structure, worth mentioning, is perhaps the relation between the rhythm pattern and the "undulating" course of the dynamics: the composition might, without much effort, be subdivided into five dynamic episodes, of which the the second and fourth are "summits", while the first, third and fifth proceed in a sound-volume not exceeding mezzo-piano.
All other, more artistic observations, are left to the listener, guided by his own fantasy and intuition. - HANS HENKEMANS