related works
Concerto : per violino ed orchestra, 1950 / Hans Henkemans
Genre:
Orchestra
Subgenre:
Violin and orchestra
Scoring:
3333 4331 timp 4perc hp str vl-solo
Dawning of Lovelight : Version for orchestra / Chiel Meijering
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc fl 2ob 2cl 2fg 2trp 2trb vibr perc hp pf str
Derde symfonie : ("gamelansymfonie"), voor orkest, opus 45, 1998/1999 / Peter Schat
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
pic 3fl 3ob 3cl cl-b 3fg cfg 4h 3trp 3trb gamelan 3timp mar str
Brother Fox : for symphony orchestra / Michael Fine
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl 2ob 2cl 2fg 2h 2tpt timp str
composition
Barcarola fantastica : per orchestra, 1962 / Hans Henkemans
Other authors:
Henkemans, Hans
(Composer)
Description:
Program note (English): The Barcarola Fantastica was the result of a commission received on the occasion of the centenary of the Northern Philharmonic Orchestra, Groningen, The Netherlands.
The composition has been scored for normal large orchestra, to wich has been added an alto-flute as only unusual instrument. On the steady rhythms of 6/8 and 9/8 beats -the rhythms of the Barcarola, the Venetian gondola-song- the composition develops as a fantasia on the two principal motives of themes, the first of which is heard, after some introductory bars, in the flute and alto-flute; the second, immediately following upon the first, is played unisono by 'cellos and bass-clarinet.
It is in no way important to try and follow the formal and technical developments in order to appreciate the composition. A thorough-going elucidation would, therefore, seem redundant.
The only aspect of the structure, worth mentioning, is perhaps the relation between the rhythm pattern and the "undulating" course of the dynamics: the composition might, without much effort, be subdivided into five dynamic episodes, of which the the second and fourth are "summits", while the first, third and fifth proceed in a sound-volume not exceeding mezzo-piano.
All other, more artistic observations, are left to the listener, guided by his own fantasy and intuition. - HANS HENKEMANS