related works
2o quartetto per archi : "Sovraposizioni I", 1962 / Kees van Baaren
Genre:
Chamber music
Subgenre:
String quartet (2 violins, viola, cello)
Scoring:
2vl vla vc
Symphonie concertante : voor orkest, 1962 / door Hendrik Andriessen
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3322 4331 timp hp str
Suite Hôtel de Pékin : for symphony orchestra / Willem Jeths
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl(picc) 2ob(eh) 2cl 2fg(cfg) 2h 2tpt 2trb(trb-b) tb timp 2perc str
Muziek uit het ballet Luctor et emergo : voor orkest en koor, op. 43a / Géza Frid
Genre:
Orchestra
Subgenre:
Orchestra; Mixed choir and orchestra
Scoring:
(GK4 ad lib.) 2222 4331 timp perc hp str
composition
Musica per orchestra : 1965-'66 / Kees van Baaren
Author(s):
Baaren, Kees van
(Composer)
Contains:
Lento non troppo, doppio movimento
Sostenuto
Vivo
Description:
Program note (English): [Première: 18-5-1966 - Rotterdam - Rotterdams Philharmonic Orchestra - Franz-Paul, conducting] - The work consists of three movements that are separated by short general pauses. As in six earlier compositions, (Muzikaal zelfportret, Variazioni per orchestra, 2° Quartetto per archi, Quintetto a fiati, Concerto per pianoforte e orchestra and Musica per campane) a twelve-tone range containing all intervals within the octave identical to its own retrograde is utilized. (With this 'seventh' work the usage of these specific ranges has been exhausted). The work characterises itself further by striving towards a completion of certain aspects of serial technique, exploration (in part 2) of new possibilities for an autonomous-melodic notation, placing next to each other (in part 3) of a number of structures of a very divergent nature, without use of secondary (for example introducing or binding) elements, with the intention of showing that a compact result can be formed from this working
method. This third movement has the following structure: an authentic ' vivo ', a rhythmically, lively piece with variable meter 2/8-3/4-3/16-5/4-5/16-3/8-7/4-7/16-4/8-9/4; a fragment with a Latin-American dance rhythm which by each half-measure fall a half beat behind; two very short quotation-collages; a varied return of elements from part 2; two quotations from my own work, the musical self-portrait. Unusually, the two quotation-collages give, within moments Wagner (3 times), Johann Strauss (2 times), Pijper (2 times), Mendelssohn, Von Suppé, Beethoven, Moussorgsky and Stravinsky all come into view, as their tonal relationship suggests an imminent shifting of gears. - KEES VAN BAAREN