related works
Helena is coming later : string quartet, ARP-synthesizer / Will Eisma
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players); String quartet (2 violins, viola, cello); Electronics with different instruments; String quartet (2 violins, viola, cello) with multimedia
Scoring:
2vl vla vc arp-synthesizer
Three Elizabethan songs : for voice and harp (or piano) / Jochem Slothouwer
Genre:
Vocal music
Subgenre:
Voice and piano; Voice and instrument(s)
Scoring:
voice hp/pf
La vertigine : for bass baritone and soundtracks, 1989 / text by Bert Schierbeek, Ton Bruynèl
Genre:
Vocal music
Subgenre:
Voice solo; Multimedia and singing voice(s) with or without instrument(s)
Scoring:
bas-bar soundtracks
Micro fohn : 2004 / Vanessa Lann
Genre:
Vocal music
Subgenre:
Voice and instrument(s)
Scoring:
sopr rec perc vl
composition
Le gibet : for baritone, instruments and live-electronic / words by Aloysius Bertrand, Will Eisma
Other authors:
Bertrand, Aloysius
(Text writer/Librettist)
Eisma, Will
(Composer)
Description:
Program note (English): The compositions Le Gibet and Le Cheval Mort were set to surrealistic poems by Aloysius Bertrand from his collection: Gaspard de la nuit, septième livre, Pièces détachées. The wonderful ambience derived from the poems inspired me to set some of these to music. The text of the poems expresses the dramatic environment of a battlefield and a graveyard. This lends itself easily to natural nocturnal sounds, bloodcurdling whistling and cracking noises. This is, however, something I wanted to avoid. I have tried to create an unreal atmosphere in my music. The live electronics in Le Gibet were consciously set to the background. But there is one moment in which the electronic sounds predominate: shortly before the end is a burst of instrumental resonance. - WILL EISMA