related works
Du dehors-du dedans : for mezzo soprano, orchestra and soundtrack / Will Eisma; text by Paul Eluard
Genre:
Vocal music
Subgenre:
Multimedia and singing voice(s) with or without instrument(s)
Scoring:
sopr-m 2221 2200 perc hp str(4.2.2.1.) soundtrack (electronics ad lib.)
La vertigine : for bass baritone and soundtracks, 1989 / text by Bert Schierbeek, Ton Bruynèl
Genre:
Vocal music
Subgenre:
Voice solo; Multimedia and singing voice(s) with or without instrument(s)
Scoring:
bas-bar soundtracks
Cinq cantiques : pour chant et harpe, 1981 / Andries de Braal
Genre:
Vocal music
Subgenre:
Voice and instrument(s)
Scoring:
sopr hp ; sopr/sopr-m/alt hp
Quote... unquote : for mezzo-soprano and small ensemble (version with harp) / Klaas ten Holt
Genre:
Vocal music
Subgenre:
Voice and instrument(s)
Scoring:
sopr-m fl cl vla vc 2perc hp
composition
Le cheval mort : mezzo-soprano, bass clarinet, piano, percussion: marimba + tamtam, 2 synthesizers, 4 channel tape / text: Aloysius Bertrand, Will Eisma
Author(s):
Bertrand, Aloysius
(Text writer/Librettist)
Eisma, Will
(Composer)
Description:
Program note (English): The compositions Le Gibet and Le Cheval Mort were set to surrealistic poems by Aloysius Bertrand from his collection: Gaspard de la nuit, septième livre, Pièces détachées. The wonderful ambience derived from the poems inspired me to set some of these to music. The text of the poems expresses the dramatic environment of a battlefield and a graveyard. This lends itself easily to natural nocturnal sounds, bloodcurdling whistling and cracking noises. This is, however, something I wanted to avoid. I have tried to create an unreal atmosphere in my music. In Le Cheval Mort the electronics are prominent, especially in the second half of the work. It was written for the music festival in Witten, Germany and received its première there in 1976. - WILL EISMA