related works
Adela I : for oboe and tape, 1977 / Will Eisma
Genre:
Chamber music
Subgenre:
Oboe; Electronics with different instruments; Oboe with multimedia
Scoring:
ob tape
Twee liederen : voor altstem, hobo en orgel / text: J. v. der Waals, comp.: Henk Bijvanck
Genre:
Vocal music
Subgenre:
Voice and instrument(s)
Scoring:
alt ob org
Songs by Nastya : for female voice and ensemble / Dmitri Kourliandski; text Anastasia Kourliandskaya
Genre:
Vocal music
Subgenre:
Voice and instrument(s)
Scoring:
zang fl/picc c/cl-b pf vn vc
Roundelay : a setting of words by Thomas Nashe, for soprano and 7 instruments, 1979 / David Rowland
Genre:
Vocal music
Subgenre:
Voice and instrument(s)
Scoring:
sopr fl cl perc pf vl vla vc
composition
Le cheval mort : mezzo-soprano, bass clarinet, piano, percussion: marimba + tamtam, 2 synthesizers, 4 channel tape / text: Aloysius Bertrand, Will Eisma
Author(s):
Bertrand, Aloysius
(Text writer/Librettist)
Eisma, Will
(Composer)
Description:
Program note (English): The compositions Le Gibet and Le Cheval Mort were set to surrealistic poems by Aloysius Bertrand from his collection: Gaspard de la nuit, septième livre, Pièces détachées. The wonderful ambience derived from the poems inspired me to set some of these to music. The text of the poems expresses the dramatic environment of a battlefield and a graveyard. This lends itself easily to natural nocturnal sounds, bloodcurdling whistling and cracking noises. This is, however, something I wanted to avoid. I have tried to create an unreal atmosphere in my music. In Le Cheval Mort the electronics are prominent, especially in the second half of the work. It was written for the music festival in Witten, Germany and received its première there in 1976. - WILL EISMA