related works

Red, white and blues : Dutch new blues pieces, for piano, volume 1

Genre: Chamber music
Subgenre: Piano
Scoring: pf

Blind boy Fuller : no. 1 (1966), revision (1968), for recorder (alto), piano, voice (facultative), a recording of "Thousand women blues" sung by Blind boy Fuller and recorded in Chicago 1940 / Jacques Bank

Genre: Chamber music
Subgenre: Recorder and keyboard instrument; Electronics with different instruments; Multimedia and singing voice(s) with or without instrument(s); Recorder and keyboard instrument with multimedia
Scoring: (voice ad lib.) rec-a pf tape

Amaga : is written for guitar, hawai-gitaar, bass-guitar plus the following techinal equipment: five loudspeaker-units, three amplifiers, one productmodulator and one amplitude-modulator / Misja Mengelberg

Genre: Chamber music
Subgenre: Guitar; Electronics with different instruments; Guitar with multimedia
Scoring: 2g g-b electronics

Concertino : voor piano met begeleiding van electronische muziek, (1967) / Henk Badings

Genre: Chamber music
Subgenre: Piano; Electronics with different instruments; Piano with multimedia
Scoring: pf tape

composition

Pale Moon in a Very Blue Sky : for clarinet or soprano sax and soundtrack / JacobTV - Jacob Ter Veldhuis

Other authors:
Veldhuis, Jacob ter (Composer)
Description:
One early morning in the Dutch Mountains, ( the Utrechtse Heuvelrug) I saw a pale moon in a very blue sky, unspoilt by chemtrails, because Amsterdam Airport nearby was closed due to the corona pandemic. I was moved and inspired by this natural beauty and recorded a long improvisation in my studio, which I later condensed into a substantial composition, which sounded like an Indian raga, because of the melodic scale and the ambient drone I added to it, which included sampled Asian instruments. I imagined the Indian bansuri flute to be an ideal solo instrument, but then Laura Lentz explored the piece on her alto flute, which appeared to be the perfect instrument for Pale Moon. Laura also proposed to expand the piece by including an 8 bar improvisation section. Sound engineer Marc Webster recorded Laura’s briljant performance of Pale Moon at his Blue on Blue Recording Studio in Rochester NY. They released the recording on an EP called ‘Jacob’s Triptych’ along with 2 other flute pieces: Loudly and Clearly and Lipstick.