related works
Ups - downs - ups : for violin, viola and piano, opus 7b, 1944 / Lex van Delden
Genre:
Chamber music
Subgenre:
Other combinations of strings and keyboard instrument
Scoring:
vl vla pf
Genre:
Vocal music
Subgenre:
Mixed choir and orchestra
Scoring:
ten bar bas GK fl fl-a cl bcl tim perc pf str
Ode to the West Wind : for choir and orchestra / Ton de Kruyf; poems by Percy Bysshe Shelley
Genre:
Vocal music
Subgenre:
Mixed choir and orchestra
Scoring:
GK8 2222 4331 4perc cel 2hp pf str
Chorocastra : sopraan, alt, 4-stemmig gemengd koor en orkest / Jan van Dijk; tekst: Anna Bijns
Genre:
Vocal music
Subgenre:
Mixed choir and orchestra
Scoring:
sopr alt GK4 2rec 2220 2sax 0230 altoh barh timp 4perc 2g 2acc 3el.org 5pf str(vl vc cb)
composition
De Vogel Vrijheid: Oratorium in drie delen : voor baritonsolo, sopraansolo, kinderkoor, gemengd koor en orkest / Lex van Delden; text Jan Willem Schulte Nordholt
Other authors:
Leo Smit Stichting
(Partner)
Delden, Lex van
(Composer)
Description:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades
numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this “unheard” music.