related works
Vanitas vanitatum : Three duos for violin and viola after David Bailly / Bram Kortekaas
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
vn vla
3 Indische Nocturnes : for orchestra / Theo Smit Sibinga
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
ork
Divertimento for orchestra / Bram Kortekaas
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl 2ob 2cl 2bsn 4h 2tpt perc str
When the Party is Over : Version for orchestra / Chiel Meijering
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc fl 2ob 2cl 2fg 2trp 2trb perc hp pf str
composition
L'Élue : Prelude pour orchestre / Bram Kortekaas
Author(s):
Kortekaas, Bram
(Composer)
Description:
L'Élue (The Chosen One) is written as a companion piece to Stravinsky’s Le Sacre du Printemps (The Rite of Spring). L'Élue is a prelude not just in the musical sense. Its story precedes the actions the ballet Le Sacre du Printemps.
Stravinsky’s ballet focusses on the collective actions of a pagan tribe. In L'Élue the attention is shifted to the individual within this tribe. The composition explores the feelings of a young woman, who is afraid of becoming the Chosen One for this year’s sacrifice.
Stravinsky’s concept of Day and Night for the first and second part of Le Sacre du Printemps (as described in The Rite of Spring: sketches 1911-1913, page xxi) are mirrored in L'Élue.
The composition starts with an impression of the night (La Nuit). At dawn, the first signs of Spring appear (À l'Aube du Printemps). This is noticed by the young woman, presented by the Alto Flute. The realization that the tribe’s yearly Spring sacrifice approaches fills her with dread. In a premonition, she sees herself as that year’s The Chosen One (La Prémonition de L’Élue). The premonition dissolves, after which Le Sacre du Printemps is performed attacca.