related works
Gamut : for orchestra / Bram Kortekaas
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl(picc) 2ob 2cl 2fg 2h 2tpt trb-b timp 2perc str
Invocazione : orchestra, 1972, reinstrumentation 2000 / John Borstlap
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2333 4330 timp perc cel hp str
Symphony nr. 2 ("Celebration") : for large wind band; opus 140 / Marc van Delft
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2pic 2fl fl-a 2ob eh 2fg cfg 7cl cl-b 2sax-a 2sax-t sax-bar 4hn 4trp 3trb 4tb 7perc vc cb
Intersections II : voor 100 of meer musici, (Nederlandse versie), 1970 / Joep Straesser
Genre:
Orchestra
Subgenre:
Orchestra
composition
L'Élue : Prelude pour orchestre / Bram Kortekaas
Other authors:
Kortekaas, Bram
(Composer)
Description:
L'Élue (The Chosen One) is written as a companion piece to Stravinsky’s Le Sacre du Printemps (The Rite of Spring). L'Élue is a prelude not just in the musical sense. Its story precedes the actions the ballet Le Sacre du Printemps.
Stravinsky’s ballet focusses on the collective actions of a pagan tribe. In L'Élue the attention is shifted to the individual within this tribe. The composition explores the feelings of a young woman, who is afraid of becoming the Chosen One for this year’s sacrifice.
Stravinsky’s concept of Day and Night for the first and second part of Le Sacre du Printemps (as described in The Rite of Spring: sketches 1911-1913, page xxi) are mirrored in L'Élue.
The composition starts with an impression of the night (La Nuit). At dawn, the first signs of Spring appear (À l'Aube du Printemps). This is noticed by the young woman, presented by the Alto Flute. The realization that the tribe’s yearly Spring sacrifice approaches fills her with dread. In a premonition, she sees herself as that year’s The Chosen One (La Prémonition de L’Élue). The premonition dissolves, after which Le Sacre du Printemps is performed attacca.