related works
Symphony: God Spoke and the Mountain Answered : for large orchestra / Benjamin de Murashkin
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3fl 3ob(eh) 3cl(cl-b) 3fg(cfg) 4h 3tpt 2trb-t trb-b tb timp 3perc str
Symfonie Nº IV : voor orkest / Herman Mulder
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3333 4431 timp perc 2hp str
Interpolations : voor orkest / Jan van Vlijmen
Genre:
Orchestra
Subgenre:
Orchestra; Orchestra with multimedia
Scoring:
3353 3sax 4331 5perc cymb 2mar xyl 2el.g g-b man hp pf 2ham.org str(12.6.6.3.) electronics
Simphonie periodique no. XI / Joseph Schmitt
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2000 2000 str(vl vla bc)
composition
LOGOS : for large orchestra / Benjamin de Murashkin
Other authors:
Murashkin, Benjamin de
(Composer)
Description:
The title LOGOS refers to planetary Logoi, such as our own solar system’s Solar Logos, and takes as inspiration cosmic formation and destruction.
Like a musical Big Bang, the piece’s universe opens through the sound of musicians breathing through their instruments before starting on its developmental path. Four such breathy impulses set off more and more layers of shimmering textures, each flowing at its own speed towards the top of the orchestra’s range. Meanwhile, string chorales gather in speed and size, culminating together with the flowing layers into a climax evocative of a sunrise.
In the second section all sense of pulse dissipates. Here the strings take up a long meandering melody that hovers over a backdrop of slowly shifting chords. The melody starts to evolve into chromatically rising lines while the chords become more and more compressed in tempo, building enormously in intensity until the entire orchestra erupts violently – a star exploding.
Partly a gentle falling of the music that in the first section climbed to the orchestras upper limit and partly an aggressive music for trombones and cymbals, the third section is one of contrasts finding unity. Inspired by Tibetan music designed to ward of evil spirits, the crashing cymbals and growling trombones start to form into enormous brass chorales with the gentler falling music forming into soaring wind and string lines. Out of this resounding climax the music achieves almost complete stillness. String chords gently float up to a backwards rendering of the opening music as the Universe contracts back into nothingness, awaiting the next Big Bang.
Benjamin de Murashkin