Murashkin, Benjamin de

Benjamin de Murashkin was born in Denmark in 1981, but already at the age of one moved to Australia with his family, where he lived for 21 years before returning ...

related works

Nachtstück : for voice and orchestra / Franz Schubert, orchestrated by Benjamin de Murashkin

Genre: Vocal music
Subgenre: Voice and orchestra
Scoring: zang 2fl 2ob(eh) 2cl(cl-b) 2fg(cfg) 4h 2tpt 2trb-b trb-b timp dr-b str

Madrigalen : voor de stad Breda, voor kamerkoor en twee harmoniums, 2001 / teksten: Y. Né, Daan Manneke

Genre: Vocal music
Subgenre: Mixed choir and organ
Scoring: GK 2harm

Gebed om vrede : voor gemengd koor en orgel, (1984) / Albert de Klerk

Genre: Vocal music
Subgenre: Mixed choir and organ; Mixed choir and piano
Scoring: GK3 org

Choros III : (Psalmus 45 (44)), voor menselijke stemmen en orgel, op. 72 [a], Hilversum herfst 1955 / Anton van der Horst

Genre: Vocal music
Subgenre: Mixed choir and organ
Scoring: GK8 org



Kyrie : for mixed choir with optional organ / Benjamin de Murashkin

Publisher's number: 20101
Genre: Vocal music
Subgenre: Mixed choir and organ
Scoring: GK (org)
Remarks: Commissioned by the choir of Trinitatis Church, Copenhagen.
Duration: 4'00"
Year of composition: 2012
Status: fully digitized (real-time delivery)

Coming off a year of studying Palestrina’s style, I took the commission to compose choir music for services at Trinitatis Church in Copenhagen as an opportunity to take what had been a purely technical exercise and process it more creatively through my own compositional work. The conflict of having centuries past looking over my shoulders while wanting to break free of those stylistic rules resulted in music that straddles a fine line somewhere between pastiche and my own individual style.
In medieval Paris, composers started playing with the idea of singing multiple lines, giving birth to what we know as polyphony. Originally this took the shape of singing enormously embellished melismas on top of extremely elongated Gregorian chants. By the time of the Renaissance this practice was still in use by composers such as Palestrina, the chants now subtly hiding in plain sight in one of many voices, structurally and harmonically anchoring the music. I decided to take the challenge on myself, having altos and tenors take the original chant in the Kyrie and Christe sections respectively, while the rest of the choir weaves their lines around them.
Framing the music and giving it an other-worldly quality is the addition of a barely audible organ hanging onto harmonies in the background. This added layer sets the scene and at once emphasises the slow harmonic changes underlying the swifter movement of the many melodies, while also adding to the sense of space and peace in the music.
Benjamin de Murashkin

Sheet Music
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Product Description Price/piece Count
Score Download to Newzik (A4), 12 pages EUR 9.80
Download as PDF (A4), 12 pages EUR 11.76
Hardcopy, normal size (A4), 12 pages EUR 19.60
Vocal Score Download to Newzik (A4), 9 pages EUR 4.48
Download as PDF (A4), 9 pages EUR 5.38
Hardcopy, normal size (A4), 9 pages EUR 8.97