related works

Cantus Ecclesiasticus (Volume II) : for 4 voices / Pierre Moulu, Mathieu Gascogne, Jean Richafort; transcribed and edited by Cees Wagemakers

Genre: Vocal music
Subgenre: Mixed choir
Scoring: GK

...e'l vento tace... : for mezzo-soprano, large wind ensemble and 6 percussionists, 1998/1999 / text: Francesco Petrarca, Wim Laman

Genre: Vocal music
Subgenre: Voice and large ensemble
Scoring: sopr-m fl(pic fl-a) fl(pic) 2ob eh 2cl cl-b 2fg fg-cb 2sax 2h 2trp 3trb tb 6perc

Finale : voor bariton, altsaxofoon/basklarinet en marimba/vibrafoon = for baritone, alto saxophone/bass clarinet and marimba/vibraphone, 1984 (rev. 1986) / tekst = words Fer Bank, Jacques Bank

Genre: Vocal music
Subgenre: Voice and instrument(s)
Scoring: bar sax-a(cl-b) mar(vibr)

Entertaining music : for mezzo-soprano, flute, violoncello and piano, 1967, three movements / Ludwig Otten

Genre: Vocal music
Subgenre: Voice and instrument(s)
Scoring: sopr-m fl pf vc

Thy black is fairest : three Shakespeare-sonnets, baritone, piano, stringquartet (or small string-orchestra), 1977 / Jurriaan Andriessen

Genre: Vocal music
Subgenre: Voice and instrument(s); Voice and orchestra
Scoring: bar pf 2vl vla vc / bar pf str(vl vla vc)

composition

Ghirlanda Sacra : 41 motets for voice and continuo / Various composers, assembled by Leonardo Simonetti; transcribed and edited by Cees Wagemakers

Author(s):
Wagemakers, Cees (Editor)
Anonymous (Early Music) (Composer)
Monteverdi, Claudio (Composer)
Contains:
Claudio Monteverdi: Ecce sacrum paratum (3’15”)
Claudio Monteverdi: Currite, currite, populi (2’30”)
Claudio Monteverdi: O quam pulchra es (3’45”)
Claudio Monteverdi: Salve Regina (3’15”)
Giovanni Priuli: Inter natos mulierum (3’45”)
Giovanni Rovetta: O Maria, quam pulchra es (4’45”)
Alessandro Grandi: O quam tu pulchra es (2’45”)
Giovanni Pietro Berti: Hodie apparuerunt (4’)
Giovanni Priuli: Ave dulcissima Maria (3’15”)
Paolo Capriolo: In lectulo per noctes (2’30”)
Paolo Capriolo: Congratulamini mihi (2’45”)
Alessandro Grandi: O quam pulchra es (2’30”)
Alessandro Grandi: Cantabo Domino (3’)
Alessandro Grandi: Exaudi Domine (2’30”)
Giacomo Finetti: Domine, quis habitat (3’)
Dario Castello: Exultate Deo (3’15”)
Francesco Usper: Vulnerasti cor meum (3’45”)
Francesco Usper: Nativitas tua (3’)
Guido Rovetto: Gaudete omnes (3’45”)
Giovanni Picchi: Salve Christe (1’45”)
Amadio Freddi: Cognoscam te Domine (2’30”)
Amadio Freddi: Salve Regina (2’15”)
Giovanni Pozzo: Veni Sancte Spiritus (3’)
Bartolomeo Barbarino: Venite ad me omnes (3’45”)
Domenico Obizzi: Iubilate Deo (3’)
Bartolomeo Barbarino: Audi, dulcis amica (4’)
Giacomo Finetti: Beata es, Virgo Maria (3’45”)
Giovanni Massiccio: Accipe, dilecti mi (3’)
Gasparo Locatello: Felix namque es, Virgo Maria (2’)
Giacomo Arrigoni: Tota pulchra es (2’45”)
Giacomo Arrigoni: Bone Iesu, verbum Patris (2’15”)
Carlo Milanuzzi: Anima miseranda (2’45”)
Giovanni Maria Sabino: O sacrum convivium (2’)
Giovanni Maria Sabino: Crux fidelis (3’)
Giovanni Maria Sabino: Ecce panis Angelorum (4’15”)
Giovanni Maria Sabino: Repleatur os meum (3’30”)
Pietro Francesco Caletto (Cavalli?): Cantate Domino, et exultate (3’45”)
Giovanni Maria Scorzuto: Domine Deus salutis meæ (2’45”)
Giovanni Maria Scorzuto: O bone Iesu (2’15”)
Andrea Stella: Bonum est confiteri (3’)
Andrea Stella: Confitebor tibi (3’)
Description:
In 1625 Leonardo Simonetti, a castrato chorister in St. Mark’s Cathedral under chorus master Claudio Monteverdi, collected a series of 45 motets for solo voice, most Soprano and Tenor. The contributing composers were mostly Venetian or from the Veneto, and all of them very famous in their days. The collection starts with 4 motets by Monteverdi, but other names are important as well: Giovanni Rovetta, Dario Castello, Alessandro Grandi, Francesco Usper, G.P. Capriolo, G.M. Sabino (of Naples), Andrea Stella and some others.
Cees Wagemakers, 2019