related works
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK6
Genre:
Vocal music
Subgenre:
Vocal Ensemble (2-12); Mixed choir
Scoring:
sopr sopr-m alt ten bar / GK5
Blessing : Version for 8 voices or mixed choir / Maxim Shalygin; text by Isaac Watts
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK4
composition
Promptuarium Musicum: Motets through the Liturgical Year (Volume II) : for 5, 6, 7 & 8 voices and basso continuo (Ascension & Pentecost) / Collected by Abraham SchadÆus; transcribed and edited by Cees Wagemakers
Other authors:
Wagemakers, Cees
(editor)
SchadÆus, Abraham
(curator)
Contains:
Simone Molinaro (c. 1565-1615): Ego rogabo Patrem à 6 (2’45”)
Nicolò Rubini (1574-1625): Ego rogabo Patrem à 6 (5’45”)
Guglielmo Arnone (c. 1570-1630): Ascendisti in altum à 6 (3’)
Giuglio Osculati (? -1615): O Rex gloriæ à 7 (3’)
Luigi Balbi (fl. 1585-1621): Omnes gentes à 8 (5’)
Luca Marenzio (1553-1599): Exsurgat Deus à 8 (7’30”)
Bernardino Vannini (1590-1666): Dum complerentur à 5 (2’45”)
Gio. Batt. dalla Gostena (1558-1593): Repleti sunt omnes à 5 (2’15”)
Nicolò Rubini (1574-1625): Repleti sunt omnes à 7 (2’45”)
Ottavio Catalani (? -1644): Hodie completi sunt à 8 (3’45”)
Benedetto Pallavicino (c. 1551-1601): Dum complerentur - Cum ergo à 8 (7’30”)
Nicolaus Zangius (1570-1619): Veni Sancte Spiritus à 8 (2’45”)
Caspar Vincent (1580-1624): Apparuerunt Apostolis à 8 (5’15”)
Ottavio Catalani (? -1644): Si manseritis in me à 8 (2’45”)
Leone Leoni (c. 1550-1627): Sic Deus dilexit mundum à 8 (3’15”)
Description:
In the years 1611 and 1612 two voluminous collections of motets appeared with the name Promptuarium Musicum, volumes I and II.
Both volumes consisted of 100 motets each, to be used during the liturgical year. The first book (1611) contained motets for sundays during Advent, Nativity, The Feast of the Name of Jesus, Epiphany, The Purification of the Virgin Mary, The Annunciation, Occasions of penitence, Lent period, and the Passion of the Lord. The second book (1612) contained motets on Antiphones, Introits, Graduals, Hymns etc. for several individual sundays, and feasts as Easter, Ascension, Pentecost, and several Communion motets. Later appeared more than 200 motets of other liturgical feasts through the year.