related works
Four Double Dutch Dances : for piano four hands / Rieteke Hölscher
Genre:
Chamber music
Subgenre:
Piano 4 hands
Scoring:
4hpf
Variations and Final (on a theme of Duke Ellington) : for orchestra / Erik Lotichius
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2 Flutes; 2 Oboes; 2 Clarinets in B-flat; 2 Bassoons; Alto-Saxophone; Tenor-Saxophone; 2 Horns in F; 3 Trumpets in C; 2 Trombones; Tuba; Percussion: Timpani and cymble; Strings
Variaties over een Frans volkslied : voor orkest / Sas Bunge
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2222 2(-4)210 timp 2perc str
City Imprints : for orchestra / Klas Torstensson
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc 2fl 2ob eh 2cl cl-b cl-cb 2fg cfg 4h 3tpt 3trb(trb-tb/trb-b) 2tb-cb 4perc timp synth hp str
composition
Il cibo per la Musica : a musical menu for symphony orchestra / Rieteke Hölscher
Author(s):
Hölscher, Rieteke
(Composer)
Description:
Il Cibo per la Musica’ is a musical menu for symphony orchestra, food for the musical mind. I wrote the composition at request of Erik Waerts, conductor of Jeugdsymfonieorkest Bloembollenstreek.
The titles of the movements are inspired by Italian dishes, but the translation of these dishes are not always proper Italian. For example, the word “pizza” is female - but because “fortissimo” is a general musical term I took the liberty to use an incorrect conjugation for the title of the first part. Also pizza isn’t a dish that actually belong to the category antipasto. I hope the Italians may forgive me!
And although the Italian word for nuts (‘noci’) has a double meaning in Dutch (‘noten’: musical notes and nuts to eat) - the word has a single meaning in Italian. ‘Noci’ only refers in Italian to food, not to musical notes.
As with an Italian meal, one can choose from the menu, not all movements have to be played.
Each movement contains an educational element and also includes extended techniques in contemporary music - such as air sounds, keyslaps, feathered beams and indefinite events - something new and different in every movement.
Rieteke Hölscher - Kortenhoef, 2017