composer

Senfl, Ludwig

Ludwig Senfl (c. 1486-1543) was born around 1486, possibly in Basel. He lived in Zürich from 1488 until 1496 when he joined the choir of the Hofkapelle of Emperor Maximilian ...

related works

An Augsburg Choirbook of Motets : for 4, 5 and 6 voices / Various authors; transcribed and edited by Cees Wagemakers

Genre: Vocal music
Subgenre: Mixed choir
Instruments: GK

Chants and madrigals : for mixed choir, 1980 / words by Klary F. Schipper, Daan Manneke

Genre: Vocal music
Subgenre: Mixed choir
Instruments: GK8

I am Ericka : for mixed choir, 1972, revision 1988 / text: Ericka Huggins, Bernard van Beurden

Genre: Vocal music
Subgenre: Mixed choir
Instruments: GK3

Missa (sine tenore) : 1934 / Jacques Beers

Genre: Vocal music
Subgenre: Mixed choir
Instruments: GK3

 

composition

36 Sacred Songs : for 4 voices / Ludwig Senfl and Heinrich Isaac; transcribed and edited by Cees Wagemakers

Publisher's number: 16977
Genre: Vocal music
Subgenre: Mixed choir
Instruments: GK
Remarks: Early Music Edition. Single titles available separately.
Year of composition: 1531
Status: Unique collection of Renaissance manuscripts transposed to contemporary notation. Hundreds of vocal works that had been hidden away in various libraries across Europe, now available for the first time, thanks to tireless work of editor Cees Wagemakers.

Other authors:
Isaac, Heinrich (composer)
Wagemakers, Cees (editor)
Contains:
Spiritus Domini (Introit) (5’15”)
Benedicta sit Sancta Trinitas (Introit) (5 vv.) (6’15”)
Alleluia. Benedictus es Domine Deus (1’45”)
Benedicta semper sit Trinitas (Hymn) (3-6 vv.) (12’)
Benedicimus Deum (Communion) (2’15”)
Cibavit eos (Introit) (5’30”)
Alleluia. Caro mea (3’45”)
Lauda Sion Salvatore (Sequence) (15’)
Qui mandicat carnem (Communion) (1’45”)
Gaudeamus omnes in Domino (Introit) (5’45”)
H.I.: In Maria benignitas (2’)
Alleluia. Veni Sancte Spiritus (4/3/6 vv.) (2’15”)
Veni præcelsa domina (Hymn) (6’15”)
Alleluia. Assumpta est Maria (2’)
Congaudent angelorum chori (Hymn) (7’30”)
Dilexisti iustitiam (Communion) (1’30”)
Alleluia. Nativitas gloriosæ Virginis (2’45”)
Stirpe Maria regia (Hymn) (4’45”)
Diffusa est gratia (Communion) (2’)
Alleluia. Vox exultationis (2’15”)
Omnes Sancti (Hymn) (6’)
Gaudete iusti in Domino (Communion) (1’:15”)
Sancti Spiritus assit nobis (Hymn) (11’)
Salve, sancta parens (Introit) (4’15”)
Sancta Dei genitrix (2’15”)
Verbum bonum et suave (3’)
Beata viscera Mariæ (Communion) (1’45”)
Terribilis est locus iste (Introit) (4’30”)
Hæc domus aule celestis (Hymn) (6’30”)
Domus mea domus orationis (Communion) (2’30”)
Factus est repente (Communion) (2’30”)
Alleluia. Emitte Spiritum tuum (2’)
Veni Sancte Spiritus (Sequence) (4/5 vv.) (6’15”)
Spiritus Sanctus docebit vos (Communion) (1’)
Accipite iucunditatem (Introit) (5’15”)
Spiritus qui a Patre procedit (Communion) (1’15”)
Description:
The Bavarian State Library (Bayerische Staats Bibliothek in Munich, Germany) has a unique collection of large folio format choirbooks from the Bavarian court music ensemble, predominantly from the time of Orlando di Lasso serving as court music director. Several splendidly illustrated choir books originally belonged to the personal collection of the Bavarian dukes. The most beautiful one is the collection of motets by Cipriano de Rore for Duke Albrecht V, also available at Donemus (D 16092). Choirbooks have all the parts on two facing pages, in contrast to the separate books for each voice that we see mostly in Renaissance editions. So a page turn had to come at the same moment for all the voices. There is a large number - and still growing - of choirbooks from the 16th century in the Bavarian State Library the transcriptions of which are also being published by Donemus.
Cees Wagemakers, 2018

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Product Description Price/piece Count
Score Download to Newzik (A4), 186 pages EUR 57.65
Download as PDF (A4), 186 pages EUR 69.18
Hardcopy, normal size (A4), 186 pages EUR 115.30