composer
Cipriano De Rore was a Flemish composer who was born in 1515/6 in Ronse, a small town between Brussels and Courtrai (Belgium, in the 16th century The Netherlands). He moved ...
related works
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK
31 motetten : (op Gregoriaanse gezangen), voor koor a capella, 1989 / Jos van Amelsvoort
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK4
Flos Virginum : voor kamerkoor a cappella / Claudia Rumondor, 2005
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK4
Carmen saeculare : quattuor vocibus inaequalibus / composuit Alphonsus Diepenbrock, Q, Horati Flacci
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK4
composition
First Book of Madrigals : for 4 voices / Perissone Cambio and Cipriano De Rore, published by Antonio Gardano (Venice 1547); transcribed and edited by Cees Wagemakers
Other authors:
Cambio, Perissone
(composer)
Gardano, Antonio
(curator)
Wagemakers, Cees
(editor)
Contains:
Io mi son bell’ & cruda (2’)
S’ el ciel donna non vede (1’30”)
Come potro fidarmi (2’30”)
In qual parte del ciel (2’15”)
Per divina bellezza (1’45”)
Cantai mentre ch’ i arsi (3’)
Più volte gia - Ond’ io non puote mai (4’)
Occhi leggiadri (1’30”)
Nel partir del mio ben (1’45”)
Ove col s’ Amor l’ oro - Da quali angeli (4’)
Non di terrestre donna (1’45”)
Vaga tranquilla e lieta (1’15”)
Se mai fu crudo (2’15”)
Sapete amanti (1’30”)
Pien d’ un vago pensier (1’45”)
Ben s’ io non erro (1’45”)
Amor da che tu voi - Gentil copia eccellente (3’15”)
Fresche herbe (3’)
Cipriano de Rore: Quel foco che tant’ anni (2’)
Cipriano de Rore: Com’ havran fin (1’45”)
Cipriano de Rore: Anchor che col partire (2’)
Io amai sempre - Ma chi penso (3’)
O perverso d’ Amor (1’45”)
Che giova posseder (1’45”)
Duo più potenti lumi (1’45”)
Chi mett’ il pie (2’15”)
Chiara luce serena (2’45”)
Perche la vita e breve (1’45”)
Description:
Perissone published four books of secular music, from which this is the first. He was a skilled and versatile stylist, varying from the smooth Flemish polyphony to large chordal textures. In several madrigals we find a chordal sequence that is rather specific for him: e.g. e-A-G in stead of the common d-A-D. And many madrigals start with a major chord on the second. Rather unusual and very specific for Perissone.
Cees Wagemakers, 2018