related works
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK
Ghirlanda de Madrigali : for 4 voices / Vittoria Aleotti; transcribed and edited by Cees Wagemakers
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK4
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK
Psalm 107 : voor gemengd koor, 1999 / tekstbewerking: Sytze de Vries, Jan Rokus van Roosendael
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
Gk4
composition
Promptuarium Musicum: Motets through the Liturgical Year (Volume IV) : for 5, 6, 7 & 8 voices and basso continuo (Other Feasts and Communion) / Collected by Abraham SchadÆus; transcribed and edited by Cees Wagemakers
Other authors:
Wagemakers, Cees
(Editor)
SchadÆus, Abraham
(Curator)
Contains:
Benedetto Bagni (? -fl. 1608): O Domine Jesu Christe à 8 (2’45”)
Francesco Maria Guaitoli (c.1564-1628): Pangamus læti omnes à 8 (4’45”)
Francesco Maria Guaitoli (c.1564-1628): O venerandum à 8 (4’15”)
Francesco Maria Guaitoli (c.1564-1628): Venite, edite Manna à 8 (3’45”)
Simone Molinaro (c. 1565-1615): O quam metuendus est locus à 5 (2’)
Giovanni Battista Strata 1579-1651): Confitemini Domino à 5 (3’30”)
Hans Leo Hassler (1564-1612): Laudate Dominum omnes gentes à 6 (3’30”)
Guglielmo Arnone (c. 1570-1630): Cantabo Dominum à 6 (3’15”)
Benedetto Bagni (? -fl. 1608): Exultemus Domino Regi à 8 (3’)
Nicolò Parma (fl. 1575-1613): Exultavit cor meum - Arcus fortium à 8 (8’)
Luigi Balbi (fl. 1585-1621): In dedicatione templi à 8 (3’15”)
Curtio Valcampi (fl. 1600-1610): Decantabat populus à 8 (3’15”)
Giovanni Piccioni (c. 1548-c. 1619): Elegi et sanctificavi à 8 (3’)
Antonio Savetta (c. 1560-1641): Exultate Deo à 8 (3’)
Description:
In the years 1611 and 1612 two voluminous collections of motets appeared with the name Promptuarium Musicum, volumes I and II.
Both volumes consisted of 100 motets each, to be used during the liturgical year. The first book (1611) contained motets for sundays during Advent, Nativity, The Feast of the Name of Jesus, Epiphany, The Purification of the Virgin Mary, The Annunciation, Occasions of penitence, Lent period, and the Passion of the Lord. The second book (1612) contained motets on Antiphones, Introits, Graduals, Hymns etc. for several individual sundays, and feasts as Easter, Ascension, Pentecost, and several Communion motets. Later appeared more than 200 motets of other liturgical feasts through the year.