related works
Tangente : for viola and accordion / Roderik de Man
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
vla acc
Sins of Humanity : for saxophones, finger cymbals and organ / Chiel Meijering
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
sax-s-solo 2sax-s 2sax-a 2sax-t 2sax-b cymb org
The Waste Land II : version for horn and percussion / Robert Groslot
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
h perc
Partita : corno inglese, organo manualiter, opus 41 nr. 1, (1954) / Jan Koetsier
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
eh org
composition
Tangente : for viola and accordion / Roderik de Man
Other authors:
Man, Roderik de
(Composer)
Description:
The word "tangent" comes from the Latin tangens, meaning "touching". I have used the Spanish word “Tangente” to express the idea of combining two distinct musical cultures. One is that of the vocabulary of contemporary western music. The other is that of the popular and diverse world of the tango. Bringing these two together, like two lines touching is my goal in this work. The two instruments are similarly from two different worlds. My inspiration for this is the “Falsche Tango” project initiated by Visisonor Media Productions (www.visisonor.org). I was invited to “ go off at a tangent”, so to speak.
[In geometry, the tangent line (or simply the tangent) to a curve at a given point is the straight line that "just touches" the curve there. As it passes through the point where the tangent line and the curve meet, or the point of tangency, the tangent line is "going in the same direction" as the curve, and in this sense it is the best straight-line approximation to the curve at that point.]