related works
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK
Ascolta : for tenor solo, mixed choir and soundtracks, 1988 / text by Bert Schierbeek, Ton Bruynèl
Genre:
Vocal music
Subgenre:
Mixed choir; Multimedia and singing voice(s) with or without instrument(s)
Scoring:
ten GK4 soundtracks
Herbst : für gemischten Chor / Roland Voortman; Text von Rainer Maria Rilke
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK4
Herinnering aan Holland : for mixed choir / Christian Blaha
Genre:
Vocal music
Subgenre:
Mixed choir
Scoring:
GK4
composition
Promptuarium Musicum: Motets through the Liturgical Year (Volume III) : for 5, 6, 7 & 8 voices and basso continuo (Other Feasts and Communion) / Collected by Abraham SchadÆus; transcribed and edited by Cees Wagemakers
Author(s):
Wagemakers, Cees
(Editor)
SchadÆus, Abraham
(Curator)
Contains:
Gasparo Villani (1546-1619): O sacrum convivium à 5 (2’15”)
Girolamo Giacobbi (1567-1629): Caro mea à 5 (2’)
Francesco Bianciardi (1570-1607): O pretiosum et admirandum à 5 (2’30”)
Giovanni Battista Stefanini (1574-1630): Gustate et videte à 5 (3’15”)
Ottavio Catalani (? -1644): Ave verum corpus à 5 (2’45”)
Caspar Vincent (1580-1624): Pange lingua - Verbum caro à 6 (9’30”)
Giovanni Piccioni (c. 1548-c. 1619): O Iesu mi dulcissime à 6 (2’)
Michele Varotto (c. 1525-1599): Spiritus meus à 6 (5’)
Girolamo Giacobbi (1567-1629): Salve victima salutaris à 7 (2’)
Giovanni Battista Steffanini (1574-1630): O Sacramentum à 7 (3’15”)
Philippe de Monte (1521-1603): Ego sum panis vivus à 7 (3’)
Nicolò Parma (fl. 1575-1613): Homo quidam fecit coenam magnam à 8 (2’15”)
Vincenzo Bertolusi (c. 1550-1608): Caro mea à 8 (3’)
Ludovico Spontoni (1555-c. 1609): Respexit Elias à 8 (3’)
Luigi Balbi (fl. 1585-1621): Quemadmodum desiderat à 8 (4’30”)
Leone Leoni (c. 1550-1627): O sacrum ed admirabile convivium à 8 (2’15”)
Tiburtio Massaino (c. 1550-1609): Ego sum panis vivus à 8 (4’30”)
Description:
In the years 1611 and 1612 two voluminous collections of motets appeared with the name Promptuarium Musicum, volumes I and II.
Both volumes consisted of 100 motets each, to be used during the liturgical year. The first book (1611) contained motets for sundays during Advent, Nativity, The Feast of the Name of Jesus, Epiphany, The Purification of the Virgin Mary, The Annunciation, Occasions of penitence, Lent period, and the Passion of the Lord. The second book (1612) contained motets on Antiphones, Introits, Graduals, Hymns etc. for several individual sundays, and feasts as Easter, Ascension, Pentecost, and several Communion motets. Later appeared more than 200 motets of other liturgical feasts through the year.