related works
Talisker : for ensemble / Luc Brewaeys
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
cl cl-cb h cl-choir slag
Movements : Two sketches for symphony orchestra / Kris Oelbrandt
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3fl 2ob eh 3cl cl-b 2fg cfg 4h 3trp 2trb timp 2perc hp str
Berceuse héroïque : Arrangement for orchestra / Claude Debussy; arranged by Alphons Diepenbrock
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2ob 2fg 4h 3tpt 3trb 2hp timp perc str
Symphony II : for orchestra, 1958, (revised version 1980) / Rudolf Escher
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
pic 2fl 2ob eh 2cl cl-b 2sax 4h 2trp tb timp 4perc 2hp pf str(14.14.12.10.8.)
composition
Along the Shores of Lorn : for symphony orchestra / Luc Brewaeys
Author(s):
Brewaeys, Luc
(Composer)
Description:
This work was composed in 2005 on commission of the Symfonieorkest van Vlaanderen. They first performed it at the Brussels Conservatory on February 24, 2005 conducted by their chief-conductor Etienne Siebens "Along the Shores of Lorn" are the first words of the "explanation" on the back label of the bottles which contain "OBAN". The work takes its basic ideas from that piece, but became a little like a "firework" coming out of the rocket which 'OBAN' originally was. The piece is in one movement, but consists of four sections. The work begins with an introduction based on flageolet-tones in the strings, along with a kind of split pseudo-unisson melody. This is followed by a fairly long, rapid passage in what I would call "(des)-articulated counterpoint". The third section is extremely slow (maybe a huge breath?) and mainly deals with "special" timbres, which are amplified and permutated compared to 'OBAN'. A duo for the two trumpets on a repeated pulse leads to the coda, which is longer than the one of the "fellow-piece", is incredibly fast and features the virtuosity of the orchestra in an almost breath-taking way. Finally the Bass Drum concludes the piece alone, as he started. I dedicated the score to artist Mark Verstockt in friendship and admiration for the intenstity and extremely high quality of his works. I also felt very close to him when we discussed our mutual approach towards our creative "jobs".