related works
Boundless (Homage to L.B.) : for string orchestra, harp, keyboards and percussion / Joey Roukens
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Scoring:
timp 5perc hp synth/cel str
Cirkels II : voor harmonie- en strijkorkest, opus 90, nr. 2, 1993 / Jo van den Booren
Genre:
Orchestra
Subgenre:
Band; String orchestra; Orchestra
Scoring:
2232 3sax 4331 2bug euph timp 2perc mar(xyl) str
Three Romances : for orchestra / Clara Schumann; orchestrated by Benjamin de Murashkin
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl ob eh 2cl 2fg 2h etpt str
Fastlandet : = The Mainland, from: A cycle of the North, for orchestra, 2007 / Klas Torstensson
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
pic 2fl 2ob eh 2cl cl-b 2fg cfg 4h 3trp 3trb tb perc 3timp synth str(16.16.12.10.8.)
composition
Fast movement and Epilogue : for chamber orchestra / Joey Roukens
Other authors:
Roukens, Joey
(Composer)
Description:
‘Fast Movement and Epilogue’ is a piece about ‘fastness’ and virtuosity. We live in a time in which everything seems to go fast, everything seems to change fast and many people seem to be in a constant state of rush and hurry. However, I feel that this fast pace and hectic nature of contemporary life is something which is only rarely reflected in contemporary (classical) music, in which truly fast-paced pieces seem to be scarce. Even though in earlier eras, composers like Scarlatti, Haydn, Mozart, Rossini, Liszt, and so on, were all masters of the kind of fast and virtuoso music that is seldom being written today.
So when I got the commission to write a piece for Tokyo Sinfonietta, I set out to write a highly virtuoso piece that is among the fastest music I have written. Consequently, it turned out to be fiendishly difficult to play. The first ten or so minutes of this 14-minute piece should sound like a high-speed roller-coaster ride, requiring the musicians to maintain high energy playing and very fast tempi throughout. The music is characterized by driving, syncopated rhythms (that sometimes clearly refer to certain pop genres), insistent ostinati, moments of playfulness, lightness, humor and at times a Stravinskian bite. A contrasting slow, quiet and dreamy epilogue concludes the piece, putting the fast music in a slightly different light.