related works
Genre:
Vocal music
Subgenre:
Mixed choir and large ensemble
Scoring:
recit 4sopr 4alt 2ten 2bas fl(pic) ob cl cl-b fg sax-t trp-p trp trb trb-b 2vl vla vc cb electronics
Dirt to Gold : for chamber orchestra / Brendan Faegre
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Scoring:
2fl 2ob 2cl 2fg 2h 2trp trb trb-b timp perc hp 2vln vla vc db
Las Ramblas : Version for oboe, bassoon, accordion and string orchestra / Chiel Meijering
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Scoring:
ob fg acc str
Healing : for ensemble / Petra Strahovnik
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Scoring:
fl ob cl/cl-b fg h tpt trb 2perc pf acc 2vn vla vc db
composition
Axis / Ashes : for ensemble, 2005-2006 / Willem Boogman
Author(s):
Boogman, Willem
(Composer)
Description:
Program note (English): Axis/Ashes consists mainly of rotations. But the music begins and ends with a 'flame' - in any case, this is what I have called the blaze of tones, with which the piece begins - , referring to the ancient Greek belief that the centre of the cosmos and the earth is fire. That led to the choice of the title for the composition. ...Clouds and rotations have one thing in common with harmony: they involve the blending of sounds. In Axis/Ashes the instrumentalists are positioned spatially, surrounding the audience. This arrangement is essential to the realisation of the effect of the sound's motion. But consequently the orchestra becomes fragmented and the individual sound characteristics of each individual instrument are clearly audible. Mixing the sounds harmonically is no longer feasible, but rotation and cloudlike structuring mix the sounds in the way sugar dissolves when stirred into coffee. In Axis/Ashes the music is likewise dissolved and dispersed. At times one will observe
remnants of melodic, harmonic or rhythmic forms. It goes without saying that this dispersion is not an end in itself. Something that no longer entirely exists can still become something complete again, but unlike what it was before - and we are there, more or less, to witness it. That is my music - Willem Boogman